Painting – Landscape near Oughterard

by Deborah Watkins. Posted on June 4, 2012

04 Jun

This landscape is based on a place near Oughterard, County Galway not far from the Bog I painted recently. It is also a bog but unworked for some time and now covered in a layer of grasses and heathers. Here’s a photo I took of the area and below that the painting as it began – a rough sketch in charcoal.

This is the next stage – I blocked in some areas of colour loosely with a wide brush. I decided to use green and pale pink which is what I see/remember when I squint my eyes. I’m also thinking about this combination of colour as I saw it while taking photographs of some wild flowers near my home ( see ‘Wild Fuchsia and Nature’s Colours‘ ).

This is the next stage (below). I took this photo just after I added the green ink to the pink acrylic paint and it has bubbled as it has made contact with the paper! I want to add depth to the landscape here but also retain these broad strokes of pink as much as possible. I am trying to suggest the taller grasses with the pink and green mixture at the base of the painting but without doing it too literally.

This is the piece as I have left it (below). I added more paint to the mountain and lake in the background. I also gave the painting some more contrast with brown ink and just a little more red.

Oughterard Bog Painting II

by Deborah Watkins. Posted on May 30, 2012

30 May

This morning I tinkered with the piece I posted earlier this week, nothing too dramatic but I felt that the water needed some work and the area on the top right of the painting needed to be dampened down a bit.

This is another piece based on the bog near Oughterard. It began as a sketch in charcoal (below). I struggled with this one as you will see and I think this is because it isn’t immediately recognisable as a landscape.

I added some broad sweeps of colour after this. The viewpoint is closer to the ground, so the horizon line has been replaced by green growth at the top of the piece. I quite like it at this stage (below), just those three colours and the strong lines.

The brown shape has become diluted as the painting has progressed (below) and I am hoping at this point to recover it to some degree before I finish. However, looking back here I am thinking once again that I might have left it at this stage. I like the movement at the centre of the piece and that pinkish colour which is lost later.

This is the next stage (below). I am less happy with it now and leave it to dry overnight.

Here is the final painting (below). I have used lots of brown ink to create more contrast and I have tried to put the shapes back as they were – the downward and outward flow of the water and the long flank of cut bog. I have subdued the green area at the top and added more paint to make the surface richer. I’ve left it here and am reasonably happy to call it finished. I am wondering now how it reads to someone else – let me know what you think, I’d love to have your comments.

Oughterard Bog Painting

by Deborah Watkins. Posted on May 27, 2012

27 May

I have started a series of paintings based on a bog near Oughterard where I took some photos last week. I wanted to do something that is faithful and sympathetic to this miry place and its vivid colours. I started this one by drawing a rough composition in charcoal (below). The tracks of water from this position give a lovely sense of movement and distance which I hope to keep in the final painting.

This is the piece as I have left it (below). It had got to the point of being too wet to continue so I will allow it to dry before making any further additions. I’m not sure yet what those might be or indeed if I will leave it as it is. Occasionally the richness of the wet paint and ink is lost when it dries out and it can look thin and unfinished. Sometimes on the other hand, if I have applied the colour heavily enough, the richness is held and heightened with a final coat of varnish. I’ll have to wait and see with this one.

Landscape – Progression

by Deborah Watkins. Posted on May 21, 2012

21 May

This is a bog landscape I’ve been working on as it has progressed. This is how it looked after the first sitting. The colours were true in the sense that the landscape did seem a lovely pale colour when I squinted my eyes. However, I felt that the overall appearance of the painting at this stage was quite flat. I decided that it needed more contrast and I also needed to dilute the horizontal brown lines on the left which are distracting because they are parallel with the edges of the canvas.

I darkened the middle background of the canvas by adding more gold, orange and some green. Then I brightened up the sky with some blue and added more paint and detail to the foreground.

I’m calling this one finished. The golds and browns here remind me of the raku glazes I used when I made pots. There is a lovely element of surprise with ceramics (especially raku) when the glazed pot is revealed – I will write a post about my work as a potter soon. When I use paint and ink together as I have done here, I get a sense of this as the result is not entirely predictable. I love the way the colours bleed in to each other and this sometimes has a depth about it that is like looking at the fused layers of glass and colour on a glazed pot.

My Work Space – A Tour in Photos

by Deborah Watkins. Posted on May 16, 2012

16 May

I will be welcoming RTE’s ‘Nationwide’ team in to my home and studio this week which is a fantastic opportunity – I’ll post the screening date on my facebook page as soon as I know about it. With this in mind, I thought I might do a photo tour of my work space for those of you who read this blog..
I converted our guest room in to a work room for myself about four years ago. I had been using the kitchen table before this and clearing up after each session which was often more trouble than it was worth! Creating a space where I can come and go as time allows was the best decision I have made in recent years.
It is a small room as you can see – there was just enough room for a double bed and two bedside lockers in it’s old life. However, it is perfectly suited to my needs at the moment and I feel very lucky to have it.

This is my painting desk (above). It gets great light in the morning, as the window to the left is East facing and this happens to suit my morning work schedule when my daughters are at school. I’ve pinned up some old work, photographs, postcards and things I’ve collected overhead. I change these images around from time to time and add bits and pieces as I find them. Here’s a close up of the board below.

These are my materials – inks, paints, charcoal and my palette which is a flat plastic container with a lid. I am very unfussy about my brushes and I sometimes think the really worn ones make the most interesting marks.

I use this desk (below) which is to the right of my painting desk, for sewing. I keep the materials separate and swivel my chair around if I am using my sewing machine. I do a bit of dress making for pleasure and I also do some machine embroidery from time to time. Perhaps some day I will figure out a way of combining the painting and the sewing..

This last photograph is a storage cupboard that I have covered with more collected imagery and old work.

Bog Pool

by Deborah Watkins. Posted on May 14, 2012

14 May

Here is another photograph taken from the Bog Road, between Clifden and Roundstone. The road itself is like a ribbon of tarmac that bumps over the surface of the Bog ( top right of photograph ).
I’ve used the pool in the front of this picture as the inspiration for the painting below.

This piece is similar to one I finished recently but I’ve made the water a stronger feature in this one – I am going to do several more paintings about this area because there is much to work on. I’ve used straight lines to delineate the pool in the foreground where the cut earth has been flooded. I love this play between the uniform lines or human marks left by the bog cutting and the wildness of the place which ultimately takes over.

I worked this in one sitting while paint and ink were wet. I really enjoy the way that these two materials interact with each other and I feel that they lend themselves well to this subject.

Tales from the West – Exhibition

by Deborah Watkins. Posted on May 12, 2012

12 May

This week, I attended the opening of a joint exhibition of work by two artists from Connemara. The title of the show is ‘Tales from the West‘ and it takes place in the

Peppercanister Gallery in Herbert Street in Dublin.

The first artist is my husband Gavin Lavelle and so I have watched the progress of his work for this show at first hand. Gavin studied fine art painting at the National College of Art and Design in Dublin from 1986 – 1991. He paints full – time as well as running his own gallery (The Lavelle Art Gallery) in the old family home here in Clifden.
His work is a mixture of collage and paint, sometimes applied on flat surfaces but also on wooden discs, icon shaped panels of board and specially formed domes of wood. The cut outs come from a multitude of sources – maps, printed work, texts, architecture, art history and religious imagery. These blend with paint and ink to form strange worlds of the imagination where opposing themes, histories and influences merge.
Here’s an example below simply called ‘Large Triptych Box’.

Rosie McGurran is also living and working in Connemara in the village of Roundstone. Rosie grew up in Belfast and studied fine art at the University of Ulster. She is a member of the Royal Ulster Academy of the Arts and she has worked in residencies in Rome, Australia, Iceland and New York. She discovered Roundstone and the island of Inishlacken in the late 1990’s and this ultimately led her to move here permanently, establishing Connemara as her home and also as the inspiration for her work. Rosie’s paintings describe the landscape, buildings, winding stone walls and field formations that make Connemara unique. A female figure commands the presence of some of these – she gazes outwards with a thoughtful, questioning look and she seems to gather houses and ruins in her skirts or on her head. These paintings are a response to the communities who live here and to those who are long gone. Rosie has a special affinity with the abandoned island of Inishlacken just off the shore of Roundstone. This was once a lively community which thrived from its own natural resource – the sea – but now it is a shadow of that time, it’s people dispersed, it’s houses abandoned except for a few Summer homes.
This painting of Rosie’s below is of Inishlacken.

The opening night was very enjoyable and there was a lively and welcoming atmosphere thanks to gallery owner Bryan Murphy and a thoughtful and eloquent introduction provided by Mr. Frank X Buckley. The show runs until June 2nd 2012. Go see it if you can.

Bog Paintings Series

by Deborah Watkins. Posted on May 10, 2012

10 May

I’m working on a series of paintings of the bog at the moment. This is a photograph I took out on the Bog Road, between Clifden and Roundstone. I like the strong direction of the Bog furrows across the land. Also, the combination of the Twelve Bens mountain range in the distance with the water in the middle distance, make for a rich composition.

I’ve used all of these features in the painting below. This one is done on a heavy weight acyrlic paper. I forgot to take a picture at the early stages so this is how it looks after quite a bit of work.

As you can see, I’ve deepened up the colours considerably ( these rusts and reds are truer later in the year ). I’ve also allowed the lake to bleed in to the bog, washing it away visually. I’ll come back to this one when the paint has dried but it doesn’t need too much more work.

New Bog Paintings

by Deborah Watkins. Posted on May 8, 2012

08 May

A supply of paint and canvas arrived in the post last week and so I began some new work enthusiastically with my fresh supplies. I have been thinking about some of my old paintings of the bog which I worked quite heavily with paint, something I haven’t done for a while. I decided therefore to apply as much colour as possible at the first sitting and try to build up several layers.
This piece is on a 5 x 5 inch canvas. The composition is based on a section of road that connects Clifden to the village of Roundstone called the ‘Bog Road’. I applied the paint thickly and loosely once I had sketched in a rough compostion with charcoal.

Once the first layer of paint had dried, I added more colour, especially to the foreground on the right (below). I felt it needed red but less roughly applied. I also added more green and gold here in small strokes to descrice this little gully at the side of the road. Then I altered the line where the land meets the sky slightly and added a touch of colour to the clouds as they seemed a bit flat..

I left the rest of the painting much as it was. I was keen to strike a balance with this one – not to overwork it (as I am inclined to do sometimes) and to use plenty of paint in layers, in sympathy with the subject.

Seascape Canvas in Stages

by Deborah Watkins. Posted on May 1, 2012

01 May

This is a small seascape on canvas ( 4 x 4 inches ) carried out in a few stages. This is as much as I did at the first sitting. The sea and land take up less than a third of the painting, so the sky is the dominant feature.

The photograph below shows the canvas as a whole at the next stage, having added more colour to create the headland shape on the horizon line and more depth to the sky.

The last photo is taken straight on and shows the final inclusion of some red paint to the headland. I have flattened the perspective slightly in the foreground by dragging the paint downwards, which has the effect of allowing the viewer to look under the water.

I’ve decided to leave it at this point. I feel that it is finished even though the paint layers are thin. What do you think?