Sea Holly and Thistles

I took some photographs of wild flowers beside the beach at Tra Mhor last week. I am constantly amazed at the variety of wild plants that find sustenance on the edges of the shore. I thought this plant (above) was a type of thistle with its sharp pointed leaves but when I looked it up later I discovered that it’s a Sea Carrot. The photo was taken after a rain shower so you can see the droplets in the pink flowers which gives it a lovely velvety appearance. The next photo (below) is of the flower head which is white and dome shaped with a tiny red central blossom.

 

Sea carrot flower head

 

 

 

I was pretty sure that the next plant (below) belongs to the thistle family but I checked it later and found that it’s probably a Creeping thistle based on it’s size and it’s soft lilac colour.

 

Creeping Thistle

 

 

 

The next photo is of some ants which are feasting on the thistle flowers – I’m not sure if its the nectar or the nectar eating aphids that they’re after..

 

Ants feeding of a thistle flower

 

 

 

This next image (below) is of some Sea Holly. It’s a bit like a giant thistle with it’s central globe of flowers but these ones are surrounded by large grey blue bracts or leaves.

 

Sea Holly

 

 

 

Sea Holly or Eryngium maritimum was believed to be an aphrodisiac in England in Elizabethan times – ouch! In fact, it was not the leaves that were used but the roots, which were candied. They are named in a speech by Shakespeare’s Falstaff:

 

“Let the sky rain potatoes;
let it thunder to the tune of Green-sleeves,
hail kissing-comfits and snow eringoes (sea holly),
let there come a tempest of provocation…”

The Merry Wives of Windsor’ by William Shakespeare – Falstaff, Act 5, Scene v

 

 

 

The next image shows a group of snails on a holly plant. When I looked closely I began to see dozens of them and the brown scarring and holes on the plants where they had been.

 

Snails on Sea Holly

 

 

 

Here’s a close up of one (below) right on the tip of a thorny leaf. I do believe that we made eye contact!

 

Close up of snail on Sea Holly plant

Sea Painting – Progression

I’ve returned to the coast, having painted the bog for some months now. I took some pictures of the sea when photographing plants out in Candoolin recently. This is one of the images (below). It’s nothing impressive from a photographic point of view but I like this green island shape sitting on the line of the horizon and I decided to use this in a painting.

 

Photograph of the sea taken from Candoolin, Errislannan

 

 

 

 

This is how it began below. I’ve made the island the focus of the composition and I’ve just outlined where I’m going to add some rock shapes in the foreground.

 

Sea sketch by Deborah Watkins

 

 

 

 

This is the next stage. I’ve used ink and acrylic paint together to try and portray the water as it splashes against the rocks.

 

Seascape by Deborah Watkins - second stage

 

 

 

 

Here it is after some more work (below). I’m using charcoal to describe the rocks.

 

Seascape by Deborah Watkins - third stage

 

 

 

 

I allowed the paint to dry after the last stage. I then reworked the water and the rocks in the foreground and added some detail to the island (below). While the water is an improvement, I think that the rocks looked better at an earlier stage.

 

 

Seascape by Deborah Watkins

 

 

 

 

This is the painting as I have left it (below). I darkened the rocks with more charcoal and added some gold to the centre of the piece as I felt it was a bit too monochromatic. I then added some colour to the sky and tried to keep it watery to maintain a contrast with the use of heavy paint in the foreground. I also deepened the green on the island shape. I’m calling it finished at this point as I don’t think that I can take it any further. The painting process involves lots of decisions along the way – I’m always hoping that I am making the right ones although sometimes it’s better just to let my own painting instinct  take over.  Usually there is some kind of progression taking place (but not always!) – I hope so in this case but of course it is a subjective thing. What do you think?

 

Finished seascape by Deborah Watkins

White Sand Blue Sky

I spent an afternoon at Aillebrack beach last week. This area is just south of Clifden and it boasts a string of beautiful beaches, many of which are unoccupied even at this time of year. It was one of those unexpected sunny days after a bout of wet weather and so I seized the moment with my daughters and headed for the sea. This was what awaited us..

 

Aillebrack beach

 

 

 

 

and looking out to sea..

 

The sea at Aillebrack beach

 

 

 

 

We were pleased to have the beach to ourselves, save for some seagulls who decided to join us when we produced our picnic. Here’s a picture of them swooping down to the shore.

 

Seagulls at Aillebrack beach

 

 

 

 

This one seems to be gauging the weight of this piece of bread!

 

Seagull at Aillebrack beach

 

 

 

 

We are so lucky to have these beaches on our doorstep, I believe that they must be among the most beautiful in the world. These last few pictures are of the clouds which made dramatic rippled patterns across the clear blue of the sky. I hope to be able to use some of what I’ve seen here in my paintings soon..

 

Aillebrack beach

 

 

 

 

Skies at Aillebrack beach

 

 

 

 

Skies at Aillebrack beach

Bog Cotton Painting II

I’ve just finished working on this one. I’ve been tinkering with it for several days and at times painting is like this for me. Other paintings I can finish in one or two sittings. It’s hard for me to say which method works better but generally I think that there is more energy in the work that is finished quickly. This is how this painting began (below).

 

Landscape sketch by Deborah Watkins

 

 

 

Here it is with more colour. These two stages were carried out during the same sitting.

 

Second stage of landscape painting by Deborah Watkins

 

 

 

I returned to the piece after a few days and added lots more detail. I’ve gone a little overboard with the blue ink here and it’s quite fluid so I have to wait until it dries before I continue.

 

Third stage of landscape painting

 

 

 

This is the next stage (below). I’ve attempted to ‘tighten’ it up but I think that it has become confused. I’m definitely trying too hard here and it’s not working!

 

Fourth stage of landscape painting

 

 

 

When I return to the painting, I try to de-clutter the image by redefining the strip of bog in the centre and I use more green in the foreground (below).

 

Finished Painting by Deborah Watkins

 

 

 

This is the painting as I have left it (below). I’ve softened some of the lines in the middle ground and I’ve used some red ink to add more contrast. I am happier with it now because I think that it has more of the atmosphere of the place. I’m reluctant to take it any further at this stage so I’ll leave it for a few days before I varnish it…what do you think?

 

Finished painting by Deborah Watkins

A Forest of Green

This tiny but prolific plant grows right on the shore at Candoolin in Errislannan. This is a small rocky beach, just south of Clifden which is accessible from the roadside. It is obviously thriving here in this environment and has spread over the rocks like a miniature forest with just stone and seaweed for companions.

 

Photograph of rock plant at Errislannan beach

 

 

 

Here it is again, a little closer up. The perfection of each plant and each leaf is a marvel.

 

Photograph of seashore plant at Errislannan

 

 

 

And closer still..

 

Close up of seashore plant at Errislannan

 

 

 

The repetition of the shapes taken from above give the image a shimmering effect. One last photo (below). I love the vividness and vibrancy of this green. I need your help to identify this plant. Is it a liverwort? I’d love to hear from you if you know.

 

Close up of plant at Errislannan

 

 

Return to Omey Island

I returned to Omey Island with G last week when the rare opportunity of an afternoon off without the kids presented itself! It was a glorious sunny day and we decided to walk the perimeter of the Island. The tide was well out when we arrived so we walked across the strand and made a right turn along the grassy edges. We met a small beach which we walked along before we had to climb up a bank to continue. This is the view from there across the sound to Claddaghduff (below).

 

Photograph of Sea and Sound taken from Omey

 

 

 

 

Once we reached the top of the grassy mound, the view opened up to take in the rolling meadows and the sea as it wanders right out to the line of the horizon. I was immediately struck by the fields of flowers, the vividness of these tiny yellow plants ( Bird’s-foot Trefoil? ) and the sweetness of their scent in the breeze. It was a heady Summery rush and I had to suppress the urge go no further and just lie down and soak it all in! This is one of my favourite photographs (below) because it contains these perfect hues of blue, yellow and green which are my lasting memory of this walk.

 

Photograph of Omey Island

 

 

 

 

Here’s the view heading West and looking out towards Cruagh Island and the Atlantic (below).

 

Photograph of Omey Island looking out towards the Atlantic ocean

 

 

 

 

As we moved around the Western side of the Island we came across another beautiful beach (below). Looking back at this photo, it seems almost too perfect to have been real and it felt like that, a kind of earthly garden of Eden.

 

Photograph of beach on Omey Island

 

 

 

 

I took this last photo on the Southern side of the Island. The grassy slopes fall away to this outcrop of flat rock which sinks downwards towards a wide sandy beach (below).

 

Photograph of a beach on Omey Island

 

 

 

 

Photo of beach at Omey Island

 

 

 

 

We quickened our pace after I took this photo as thoughts of the incoming tide took over! In fact we had plenty of time. We resolved to check the times for the tides the next time and return to explore the centre of the Island.

Fields of Cotton

The last time I wrote about Bog Cotton it was May and there were just a few scattered strands. I stopped to take these photographs outside Oughterard last week because the cotton is in full bloom now. It may not be a field of cotton as sung by Credence Clearwater Revival (!) but this tiny Irish plant is a beautiful sight at this time of year.

 

Bog with cotton near Oughterard

 

 

 

These fields are carefully managed and the cotton thrives on the newly cut bog surface. My feet sink slightly into the spongy top layer as I take my picutres..

 

Photograph of Bog cotton near Oughterard

 

 

 

I love the contrast between the dark chestnut colours of the bog and the soft greens and pinks of the grasses. The bog cotton enhances the scene like sprinkles of tiny sugar shapes. There is something delicate about the appearance of the bog here in Summer that is almost magical.

In a few months, this will change again. The cotton will disappear and the colours of the heath will deepen and take on a fiery quality and a completely different mood.

 

Photograph of Oughterard Bog

 

Finished Paintings

I finished these two paintings over the weekend. The first one looked like this the last time I wrote about it.

 

Bog Painting by Deborah Watkins

 

 

 

I wasn’t satisfied with it the way it was so I worked at it some more and used a tiny brush to define the water channel. This recedes in to the background now which gives a stronger sense of distance but I’ve lost the rushing water in the foreground.  I think it’s a different piece altogether now (below), whether or not it is a better painting is another question!

 

 

 

 

This is the other piece as I left it (below).

 

Bog Painting by Deborah Watkins

 

 

I felt that I needed to do very little with this one – I just altered the line of the bog on the left slightly and added some more paint to the mountains in the background. This is the finished version (below).

 

Finished Landscape by Deborah Watkins

 

New Bog Paintings

A supply of paint and canvas arrived in the post last week and so I began some new work enthusiastically with my fresh supplies. I have been thinking about some of my old paintings of the bog which I worked quite heavily with paint, something I haven’t done for a while. I decided therefore to apply as much colour as possible at the first sitting and try to build up several layers.
This piece is on a 5 x 5 inch canvas. The composition is based on a section of road that connects Clifden to the village of Roundstone called the ‘Bog Road’. I applied the paint thickly and loosely once I had sketched in a rough compostion with charcoal.

 

Painting: Bog Road, stage 1

 

 

Once the first layer of paint had dried, I added more colour, especially to the foreground on the right (below). I felt it needed red but less roughly applied. I also added more green and gold here in small strokes to descrice this little gully at the side of the road. Then I altered the line where the land meets the sky slightly and added a touch of colour to the clouds as they seemed a bit flat..

 

Painting: Bog Road, stage 2

 

 

I left the rest of the painting much as it was. I was keen to strike a balance with this one – not to overwork it (as I am inclined to do sometimes) and to use plenty of paint in layers, in sympathy with the subject.

Seascape Canvas in Stages

This is a small seascape on canvas ( 4 x 4 inches ) carried out in a few stages. This is as much as I did at the first sitting. The sea and land take up less than a third of the painting, so the sky is the dominant feature.

 

Seascape canvas, stage 1

 

 

The photograph below shows the canvas as a whole at the next stage, having added more colour to create the headland shape on the horizon line and more depth to the sky.

 

Seascape canvas, stage 2

 

 

The last photo is taken straight on and shows the final inclusion of some red paint to the headland. I have flattened the perspective slightly in the foreground by dragging the paint downwards, which has the effect of allowing the viewer to look under the water.

 

Seascape canvas, finished

 

 

I’ve decided to leave it at this point. I feel that it is finished even though the paint layers are thin. What do you think?