Golden Bog

 

I usually work on a couple of paintings at a time so I can explore similar themes in slightly different ways. I began this one (above) with the last painting I wrote about here ( see Land Interrupted ).

I used these photographs (below) for reference while painting – they were taken recently on the Bog Road between Clifden and Letterfrack. It was evening and there was a lovely haze of light on the bog grasses, now turning golden. The light is special here at any time of the year but it is sometimes these in between times, between Summer and Autumn, between day and evening that it is most enchanting.

 

Photograph of bog taken by Deborah Watkins

 

 

 

 

Photograph of golden bog grasses

 

 

 

 

This is how the painting began (below).

 

First stage of golden bog landscape

 

 

 

 

Next I added more colour to the middle and foreground. I altered the mountain in the background a little as I felt that this line down the middle wasn’t working.

I used lots of gold and yellow in the middle ground and some pink to suggest the heathers. Then I outlined the bog furrow using brown ink.

 

Second stage of golden bog landscape

 

 

 

 

This is the painting as I have left it below. I worked on the bog furrow shape and the grasses around it in an effort to make them merge a little but hopefully remain distinct also. I’ve defined the mountain behind with some brown ink but perhaps a little too much, I think I will try to pull this back a little when I return to it again.

 

Third stage of golden bog painting by Deborah Watkins

 

 

Polar Places

I came across an artist on etsy.com recently whose work I really connected with. I think this was particularly so in light of my own recent work about an imagined frozen landscape. The artist is Karinna Gomez from Fairbanks, Alaska in the United States. She makes small series of prints – mezzotints, woodcuts and etchings, sometimes handcoloured with watercolours as with the print above. This piece is called Persimmons in the Snow. Persimmons are an orange red fruit that grow on the Ebony tree. These trees can tolerate and adapt to a wide range of climates including harsh Northern weather. I love the striking contrast between the white hills and snow covered valley and the dark central group of trees that are lit by by these red speckles, a kind of  earth bound constellation. I love too the vastness and silence that is suggested by the empty retreating hills and the dark sky beyond them. The only colour in the piece and the only sign of growth and life is this tiny little fruit. My second favourite piece (below) is like the first. This one is called Land of Weather .

 

Land of Weather by Karinna Gomez

 

 

 

 

The features of the previous piece are here, light versus dark and a grouping of dark fruit lit trees. There is more sky here though and an icy breeze seems to move across in a flurry of cloud. The central grove is bowl shaped and is cradled by the expansive landscape on all sides. They stand like a resilient group of survivors struggling against the elements.

The last piece I have included here is a mezzotint called Icelandic Water below. This is a slightly different printing technique which allows half tones of colour to be produced.

 

Icelandic Water by Karinna gomez

 

 

 

Darkness dominates this piece, punctuated only by white streaks and lights. The snow capped mountain in the background makes way for the night sky dotted with a few tiny stars. The title suggests that the large expanse in front might be water. It is broken up with bright uniform shapes that look like something man made or are they reflections or perhaps both? When I wrote to Karinna, she told me that she is drawn to the histories of polar exploration and aspects of Northern life such as self sufficiency, independence and solitude. Also the weather, land and geography of the North. Her work is an attempt to make imagery that expresses these primary interests.

If you like what you have seen here, check out Karinna’s work in her etsy shop. Her beautiful limited edition prints are very reasonably priced.

Bog Cotton Painting

I wanted to make a painting of the Summer bog and include some bog cotton as I saw in Oughterard recently. This is how it began (below).

 

Photo of painting at it's first stage

 

 

 

I used more paint to describe the grasses in the foreground and the bog surface as it recedes in to the distance. This was done while the first layer was still wet. I decided to wait until the paint dried before painting the wandering water channel (below).

 

Photo of bog painting at it's second stage

 

 

 

After a couple of days, I returned to the piece and used some blue and grey ink together to describe the water. I also added gold paint and green ink to enrich the colour to the right of the painting. Then I applied a touch of white to describe the bog cotton. I leave it at this point although I feel that it needs more work.

 

Last stage (?) of bog painting

 

 

 

When I return to the painting I see that it needs more contrast and more colour. I darken the area to the left foreground with a combination of red and purple inks and I add some pink and red to the middle ground. This is the painting as I have left it (below). I will leave it for a couple of days and then decide if it needs anything more..What do you think?

 

Finished painting of Bog by Deborah Watkins

 

Summer Bog Painting

 

I got back to some painting again this week and I’ve returned to the bog in Oughterard which is fast becoming a favourite subject/obsession!

I worked on two small paintings – here’s how the first one started (below).

 

First stage of Oughterard Painting

 

 

 

I decided to set the composition up on a portrait page because I wanted to make this long water channel in the centre the main feature. This is how the painting progressed (below) after I had used quite a bit of paint and ink. While I’m happy with some aspects of it, the water channel is more out of control than I would like.

 

Next stage of Oughterard Bog Painting

 

 

 

I removed some of the wet colour in the centre of the piece with a paper towel and attempted to re-paint the pool.  This is how I have left it (below).

 

Last photograph of Oughterard Bog Painting

 

 

 

I’m happier with it now because there is a stronger sense of direction in the pool which moves downwards and out of the painting although the area to the right of the pool has lost some of the energy it had at the earlier stage. I’ll return to it once this layer of colour has dried and make a decision on what to do with it next. This is the second painting I started (below).

 

First stage of the next bog Painting by Deborah Watkins

 

 

 

This one is on a landscape page. I want to make this large area of newly cut bog the main interest here. I worked quickly with lots of paint and ink together. This is how I have left the piece (below).

 

Next stage of Oughterard bog Painting

 

 

 

I have tried to set up a contrast between the silky darkness of the cut bog surface and the green growth that surrounds it. I feel reasonably happy with how it has turned out although I need to ‘tidy’ it up a bit when the paint is dry. There are some unwanted speckles and a little bare patch that I’ve just noticed!  I’ll also need to straighten up the ‘line’ of the bog on the left of the piece as its unevenness makes it seem a bit like a black river. What do you think?

It’s a question of just the right amount of control for me so that I allow the paint and ink to move in order that the piece has some kind of energy about it but that I pull it back when it moves too far away from where I want the painting to go..

Landscape – Dark Pool

This is a landscape on canvas (5″ x 7″) that I have just finished. It is based on an area between Clifden and Roundstone known as the ‘Bog Road’ which offers impressive views of the ‘Twelve Bens’ mountain range.

 

 

Landscape by Deborah Watkins

 

 

The photograph below shows the painting after the first sitting. I have used quite a lot of acrylic paint and ink to get it to this stage. The pool in the centre is the main focus of this one as you can see.

 

Painting: 12 Bens 2

 

 

Here it is from a different angle – I’ve brought the painting around the edges of the canvas (below).

 

Painting: 12 Bens 3

 

 

I wanted to make the piece darker in terms of colour and mood when I came back to the painting. These bog pools have a bottomless watery darkness about them that I am trying to convey here. I got it to this stage (below) but now I am not happy with the sky or the mountains in the background.

 

Painting: 12 Bens 4

 

 

I returned to the piece when the paint had dried and attempted the background again. I decided to introduce some reds and purples to the mountain range as there is too much blue in the piece above. Here is the painting as I have left it (below).

 

 

Landscape by Deborah Watkins

 

 

In an effort to create more drama and movement, I allowed the grasses and water to spill over the front side of the canvas (below).

 

Painting: 12 Bens 6

 

 

I am happier with the piece now and I think that the red mountain range is an improvement. I hope that I have managed to create this dark mood I am looking for. What do you think?

Painting – Oughterard landscape II

This is another landscape based on the same area as the last one from Oughterard. I enjoyed using this lighter palette of colours and wanted to use them again.

 

Landscape painting 1

 

 

This is the initial sketch (below) made in charcoal on a heavy weight acrylic paper.

 

Sketch

 

 

Here it is (below) after the first application of colour. I like it’s freshness at this stage and I lose this a bit as I try to give the piece more depth. I really enjoy working with the wet paint and ink like this and look out for any happy accidents as the two meet.

 

Landscape 2

 

 

This is the painting as I have left it (below). I have added more brown to convey the bog furrows underneath the heath and the grasses. I reduced the red a little but left a streak of it visible which I think gives it some direction and focus.

 

Landscape painting 1

Painting – Landscape near Oughterard

This landscape is based on a place near Oughterard, County Galway not far from the Bog I painted recently. It is also a bog but unworked for some time and now covered in a layer of grasses and heathers. Here’s a photo I took of the area and below that the painting as it began – a rough sketch in charcoal.

 

Landscape photo

 

 

Oughterard painting, stage 1

 

 

This is the next stage – I blocked in some areas of colour loosely with a wide brush. I decided to use green and pale pink which is what I see/remember when I squint my eyes. I’m also thinking about this combination of colour as I saw it while taking photographs of some wild flowers near my home ( see ‘Wild Fuchsia and Nature’s Colours‘ ).

 

Oughterard painting, stage 2

 

 

This is the next stage (below). I took this photo just after I added the green ink to the pink acrylic paint and it has bubbled as it has made contact with the paper! I want to add depth to the landscape here but also retain these broad strokes of pink as much as possible. I am trying to suggest the taller grasses with the pink and green mixture at the base of the painting but without doing it too literally.

 

Oughterard painting, stage 3

 

 

This is the piece as I have left it (below). I added more paint to the mountain and lake in the background. I also gave the painting some more contrast with brown ink and just a little more red.

 

Oughterard painting, stage 4

Oughterard Bog Painting II

This morning I tinkered with the piece I posted earlier this week, nothing too dramatic but I felt that the water needed some work and the area on the top right of the painting needed to be dampened down a bit.

 

Version 2 of Oughterard bog painting

 

 

This is another piece based on the bog near Oughterard. It began as a sketch in charcoal (below). I struggled with this one as you will see and I think this is because it isn’t immediately recognisable as a landscape.

 

2nd bog painting, stage 1

 

 

I added some broad sweeps of colour after this. The viewpoint is closer to the ground, so the horizon line has been replaced by green growth at the top of the piece. I quite like it at this stage (below), just those three colours and the strong lines.

 

2nd bog painting, stage 2

 

 

The brown shape has become diluted as the painting has progressed (below) and I am hoping at this point to recover it to some degree before I finish. However, looking back here I am thinking once again that I might have left it at this stage. I like the movement at the centre of the piece and that pinkish colour which is lost later.

 

2nd bog painting, stage 3

 

 

This is the next stage (below). I am less happy with it now and leave it to dry overnight.

 

2nd bog painting, stage 4

 

 

Here is the final painting (below). I have used lots of brown ink to create more contrast and I have tried to put the shapes back as they were – the downward and outward flow of the water and the long flank of cut bog. I have subdued the green area at the top and added more paint to make the surface richer. I’ve left it here and am reasonably happy to call it finished. I am wondering now how it reads to someone else – let me know what you think, I’d love to have your comments.

 

2nd bog painting, finished

Oughterard Bog Painting

I have started a series of paintings based on a bog near Oughterard where I took some photos last week. I wanted to do something that is faithful and sympathetic to this miry place and its vivid colours. I started this one by drawing a rough composition in charcoal (below). The tracks of water from this position give a lovely sense of movement and distance which I hope to keep in the final painting.

 

Sketch for Bog painting

 

 

This is the piece as I have left it (below). It had got to the point of being too wet to continue so I will allow it to dry before making any further additions. I’m not sure yet what those might be or indeed if I will leave it as it is. Occasionally the richness of the wet paint and ink is lost when it dries out and it can look thin and unfinished. Sometimes on the other hand, if I have applied the colour heavily enough, the richness is held and heightened with a final coat of varnish. I’ll have to wait and see with this one.

 

Completed Bog Painting

Bog – Oughterard

I took some photographs of this Bog just outside Oughterard on a recent trip to Galway. This section is well managed with tidy stacks of turf drying out on the higher ground above the cut bog.

 

Photo 1 of bog, Oughterard

 

 

I love the colours here – that rich brown against the bright greens and pale blues of the sky.  I especially like the reflections in the water. I will enjoy using these as colour and composition starting points for some new work.

 

 

Photo 2 of bog, Oughterard

 

 

While I was there, I noticed some bog cotton in the marshy wet ground. This time it is the many headed variety ( I took some pictures of the single headed bog cotton outside Clifden recently ). I couldn’t get very close as I didn’t have my wellies with me (!) but I managed to take this picture below.
Photo of Bog Cotton with Multiple heads