Bog Furrow

 

I’ve been working on this one for about a week. It hasn’t come together as easily as the last couple of paintings, I’m not sure why. Perhaps my enthusiasm has waned a little since the first and I need to change direction for a while. Here’s how it started below.

 

 

 

 

 

 

This is the next stage. This large furrow is the main interest and I’ve added a grey pool to draw the eye down and in to the painting. I’ve tried to vary the colour and texture of the grasses but I think this middle ground looks confused. I also think that the brown line following the direction of the hill downwards has the effect of slicing the picture in two..

 

Penultimate stage of bog painting

 

 

 

 

Here’s the painting as I have left it below.  I’ve developed the background a bit by adding some colour and definition to the sky and the mountains. I’ve tried to make the grasses interesting by varying the blocks of colour on either side of the furrow. I’ve also softened the brown line so that it doesn’t break up the composition as much. The direction of the grasses pushes against the direction of the hill, hopefully to give a stronger sense of movement. I’m still a bit unsure about this one – I can see the struggle in it and I wonder if this is obvious to the viewer. Let me know what you think.

 

Finished Bog painting by Deborah Watkins

 

Finishing

I often find returning to a painting more difficult than starting out. When I begin something, I usually have a fairly clear idea about what I want to do and there is a sense of urgency in getting that down. When I return to a painting, it is different because now there is something there and while there is a desire to keep going, there is also a certain anxiety not to mess it up. The danger is to tread too cautiously and drain the life out of the piece with tentative brush strokes and lack of experiment. Since these two pieces were near completion when I left them last, this fate was less likely although perhaps that is ultimately for you the viewer to decide..

This is the first painting as I left it below. You can compare it with the finished version underneath. I’ve added more detail to the grasses in the middle ground using a combination of green and red inks and a bristle brush. I’ve also tidied up the mountains in the background and darkened the left foreground with more green ink. Finally, I mirrored the white grasses on the right of the brown furrow with a broad stroke of white and gold paint.

 

Bog painting as I left it

 

 

 

Finished bog painting

 

 

 

Here’s the second painting I worked on with it’s finished version beneath.

 

Golden Bog by Deborah Watkins

 

 

 

Finished Bog Painting

 

 

I’ve changed this one quite a bit so hopefully it hasn’t lost too much of the clarity that it had.

I decided to darken the mountain in the background to make it recede more and I’ve added lots of colour and texture to the grasses in the foreground. I wanted to bring some green back in to the piece and I also wanted to define the cut bog so I straightened some of the dark brown lines. Finally, I added a wash of ink to the sky to give it a little more depth. I’m calling it finished. What do you think?

Sky and Sea

The main interest in this little seascape is the sky. It started out like this (below).

I used lots of red at the base of the painting in an attempt to give the final sea colour a richness and depth. I’ve applied the paint quite thickly on the top part of the piece. I waited until this layer was completely dry before I worked on it again.

 

First stage of Seascape

 

 

 

 

This is the next stage below.

I’ve given the cloud shapes more definition and divided them in to dark and light areas. I then used some charcoal to mark out the rocks in the foreground and lots of blue and white paint to describe the sea. I’m happy enough not to do too much more with it at this stage and I wait for this layer to dry.

 

Second stage of seascape by Deborah Watkins

 

 

 

 

This is how the finished seascape looks below.

I’ve used charcoal to heighten the contrast in the clouds and give the illusion of rain falling. I enjoy using charcoal with paint like this although they are not traditional partners – what do you think?

 

Finished seascape by Deborah Watkins

Summer Bog Painting

 

I got back to some painting again this week and I’ve returned to the bog in Oughterard which is fast becoming a favourite subject/obsession!

I worked on two small paintings – here’s how the first one started (below).

 

First stage of Oughterard Painting

 

 

 

I decided to set the composition up on a portrait page because I wanted to make this long water channel in the centre the main feature. This is how the painting progressed (below) after I had used quite a bit of paint and ink. While I’m happy with some aspects of it, the water channel is more out of control than I would like.

 

Next stage of Oughterard Bog Painting

 

 

 

I removed some of the wet colour in the centre of the piece with a paper towel and attempted to re-paint the pool.  This is how I have left it (below).

 

Last photograph of Oughterard Bog Painting

 

 

 

I’m happier with it now because there is a stronger sense of direction in the pool which moves downwards and out of the painting although the area to the right of the pool has lost some of the energy it had at the earlier stage. I’ll return to it once this layer of colour has dried and make a decision on what to do with it next. This is the second painting I started (below).

 

First stage of the next bog Painting by Deborah Watkins

 

 

 

This one is on a landscape page. I want to make this large area of newly cut bog the main interest here. I worked quickly with lots of paint and ink together. This is how I have left the piece (below).

 

Next stage of Oughterard bog Painting

 

 

 

I have tried to set up a contrast between the silky darkness of the cut bog surface and the green growth that surrounds it. I feel reasonably happy with how it has turned out although I need to ‘tidy’ it up a bit when the paint is dry. There are some unwanted speckles and a little bare patch that I’ve just noticed!  I’ll also need to straighten up the ‘line’ of the bog on the left of the piece as its unevenness makes it seem a bit like a black river. What do you think?

It’s a question of just the right amount of control for me so that I allow the paint and ink to move in order that the piece has some kind of energy about it but that I pull it back when it moves too far away from where I want the painting to go..