New Growth and Daylight Saving

Cover Image ‘Wild Garlic’ by Mark Furniss Photography

This post can also be viewed in the April edition of the Connemara Journal 

 

The end of March saw the clocks put forward, giving us the welcome pleasure of longer daylight hours with the boon of drawn out days ahead. It’s as if the impatience of early spring is finally sated by the adjustment to summer time and new life is in abundance all at once. I swear that fresh buds and leaves sprung forth over night in my own back garden. The manipulation of time always strikes me as an enormous intervention, albeit a welcome one. Who are we to decide such a thing? Continue reading

Ink Dark Sea

I have been working on two small seascapes over the last number of days. The surface is a heavyweight paper, prepared with gesso and mounted on canvas board. They each measure 15.5 cm x 10.5 cm. There is something satisfying about working on paper, its texture is fine and chalky compared to canvas and the surface holds the colour very well.

I approached these two paintings differently in that I finished them in one sitting, alternating between the two. I worked with the material in a more deliberate way, playing with the fluidity of the paint – sometimes thick, sometimes very thin. I allowed the inks to react with the paint, moving the imagery around until I arrived at something close to the effect I was looking for. This method reminds me of working with clay – creating a vessel on the wheel and then distorting it, trying to capture the fluidity of the material while it is wet. In these paintings, I tried to capture the energy and movement of the sea but also it’s darkness and it’s danger. I’ve called the first ( pictured again below ) ‘Ink Dark Sea.’

 

Ink Dark Sea

 

 

 

The second painting is titled ‘ Steel Blue Swell.’ I’ve indicated a hint of land in the distance but I did not worry too much about a horizon line.

The use of red and a hint of gold breaks the dominance of the blue.

 

Steel Blue Swell by Deborah Watkins

 

Happy St. Patrick’s Day!

Clifden - St. Parick's Day 2015 by Aerial Eye

Cover photo by ‘Aerial Eye

 

We woke to sunshine and blue skies in Clifden today, the 17th March, a notoriously unpredictable day on the weather front. In the last five years, we have had a couple of warm, dry St. Patrick’s day celebrations and at least two wet cold ones. 2013 was so wet, the parade had to be cancelled outright – I remember this particularly as my parents travelled from Dublin especially to see our girls in the parade. We had to make do with a low – key performance in our kitchen instead!  Continue reading

March Steel

Snow capped mountains in Connemara

( I am sharing this post from my painting blog deborahwatkinspaintings.com )

It’s the first week of March and temperatures have dipped again with no real sign of spring in Connemara just yet. This week saw our first real snowfall with spectacular drifts on the mountains and a heavy smattering of white along the valleys and roads. We’ve been hearing about the icy weather around the country for a while but our proximity to the coast has kept us just above freezing point.  Continue reading

March Steel

It’s the first week of March and temperatures have dipped again with no real sign of spring in Connemara just yet. This week saw our first real snowfall with spectacular drifts on the mountains and a heavy smattering of white along the valleys and roads. We’ve been hearing about the icy weather around the country for a while but our proximity to the coast has kept us just above freezing point.  Continue reading

Blue Pool

I got back to this piece recently, having started it before Christmas. Here is the painting as I found it below – the main shapes have been loosely defined with blocks of colour, mostly blues and yellows.

 

First stage of January Landscape

 

 

 

I looked up the photograph I had been using for reference – it was taken out along a road near Killary, about this time last year. I love the complimentary colours – the blue of the water and mountains against the orange landscape and I used this in the painting. The pool is the focus and this lovely dark blue that reflects the sky. I decided to leave out the poles.

 

Road near Killary by Deborah Watkins

 

 

 

Next I applied some coloured inks with another layer of acrylic paint to add more depth.

 

Second stage of January Landscape

 

 

 

I added more colour around the pool shape in the foreground at this next stage below. It has become a little muddy and there is too much blue in the painting. I leave this layer to dry before continuing.

 

Third stage of January Landscape

 

 

 

Here’s the finished piece after a little more work. I’ve defined the grasses with clearer brushstrokes to make them seem more fiery and I’ve changed the colours of the road.

This piece is available to purchase on our gallery website at lavelleartgallery.ie

 

 

Blue Pool by Deborah Watkins

 

 

Photo Shoot

Gavin Lavelle and Deborah Watkins outside the Lavelle Art Gallery

Here are our photographs as promised and this time taken by the professional – Aoife Herriott who lives and works in Connemara. Aoife came out to the gallery this week to shoot the outside of the shop ( and us ) and to take some photos of the interior. Continue reading

Spring is in the Air

Lavelle Art Gallery with bicycle

It’s been a long cold winter but spring is in the air at the Lavelle Art Gallery!

We are getting ready for a photo shoot this week and we are looking forward to showing off our brand new shopfront. I’ve spent the last couple of weeks searching for flowers ( not so easy in February ) but struck gold at the Dangan nurseries in Galway where they planted up my window boxes and baskets with a colourful array of primroses and variegated ivy. Continue reading

Looking at Matisse

I’ve been looking at the work of Henri Matisse and particularly the way that he uses colour and pattern. I like the contrast in his paintings  – where he uses dark colour ( almost black ) to outline shapes. This still life ( below ) for example is vivid and bright but full of contrast.

 

Blue Still Life by Henri Matisse

Blue Still Life by Henri Matisse

 

 

 

I also like this one – the green vase at the centre with it’s delicate pink flowers are framed by a bold use of primary colour (red, yellow and blue) – it’s such an unusual combination. There’s lots of dark areas too on the table and in the sleeping figure.

 

Still Life by Matisse

Still Life with figure by Henri Matisse

 

 

 

I have much to learn! This landscape of mine below is influenced by elements of Matisse’s style – the strong colours and the use of pattern in the foreground to describe the gorse bushes.

 

Landscape influenced by Matisse

 

Lakeside Gorse by Deborah Watkins

Rest while Winter Rages

Cover image and poem reproduced with kind permission from Angelica Dooley, Brigit’s Garden

 

 

Anyone familiar with my this blog will know that I am a great fan of Brigit’s Garden, the Irish wildflower sanctuary founded by Jenny Beale and designed by Mary Reynolds. Consisting of four interlocking gardens inspired by four celtic seasons – samhain (winter), imbolc (spring), bealtaine (summer) and lughnasa (autumn), the gardens incorporate a myriad of native Irish plants, a woodland area, lake, wild flower meadows as well as specially commissioned sculpture by Irish artists. It is a beautiful place to visit at any time of year but I think it is exquisite in early summer ( when the wild flowers are in full bloom ) and also in winter.

There is something about the winter garden that is compelling and moving. The image of the sleeping woman formed out of the earth and the bronze figure ( made by Linda Brunker ) at rest on the island have I believe helped me to appreciate the beauty of this season. I should explain that I have not always appreciated winter, especially since moving to Connemara almost twenty four years ago. Growing up in Kildare and the suburbs of Dublin, I had a fairly indifferent attitude towards the winter months but this is simply not possible in Connemara, where the climate has a kind of physical, elemental force. I struggled with it for many years, particularly as a young mother battling with the practicalities of moving small children around in bad weather.

 

The Winter Garden in snow

 

 

 

Bronze figure in the winter garden

 The winter garden under snowfall reproduced with kind permission from Brigit’s Garden

 

 

 

What is it about this sleeping woman  – rendered out of the earth and so delicately portrayed in bronze – that is so captivating? When you walk out onto the island, she seems so peaceful by the curve of the water, under the simple lines of the trees that for an instant you worry, in case she might be disturbed.

 

Photo of Sculpture in Brigit's garden

Close up of sleeping woman from Stream

 

 

Perhaps it is simply that she reminds us that there is a time for rest, in nature and in life and that this is natural and necessary. There is comfort in this tranquil interpretation of winter because it offers us calm and reassurance.

Thank you to Angelica Dooley who had given me permission to reproduce her beautiful haiku.

You can visit the garden website at www.brigitsgarden.ie

 

 

Lay down your sweet head

and rest while winter rages.

Charge your weary soul.

 

(Angelica Dooley)