Looking at Matisse

I’ve been looking at the work of Henri Matisse and particularly the way that he uses colour and pattern. I like the contrast in his paintings  – where he uses dark colour ( almost black ) to outline shapes. This still life ( below ) for example is vivid and bright but full of contrast.

 

Blue Still Life by Henri Matisse

Blue Still Life by Henri Matisse

 

 

 

I also like this one – the green vase at the centre with it’s delicate pink flowers are framed by a bold use of primary colour (red, yellow and blue) – it’s such an unusual combination. There’s lots of dark areas too on the table and in the sleeping figure.

 

Still Life by Matisse

Still Life with figure by Henri Matisse

 

 

 

I have much to learn! This landscape of mine below is influenced by elements of Matisse’s style – the strong colours and the use of pattern in the foreground to describe the gorse bushes.

 

Landscape influenced by Matisse

 

Lakeside Gorse by Deborah Watkins

Rest while Winter Rages

Cover image and poem reproduced with kind permission from Angelica Dooley, Brigit’s Garden

 

 

Anyone familiar with my this blog will know that I am a great fan of Brigit’s Garden, the Irish wildflower sanctuary founded by Jenny Beale and designed by Mary Reynolds. Consisting of four interlocking gardens inspired by four celtic seasons – samhain (winter), imbolc (spring), bealtaine (summer) and lughnasa (autumn), the gardens incorporate a myriad of native Irish plants, a woodland area, lake, wild flower meadows as well as specially commissioned sculpture by Irish artists. It is a beautiful place to visit at any time of year but I think it is exquisite in early summer ( when the wild flowers are in full bloom ) and also in winter.

There is something about the winter garden that is compelling and moving. The image of the sleeping woman formed out of the earth and the bronze figure ( made by Linda Brunker ) at rest on the island have I believe helped me to appreciate the beauty of this season. I should explain that I have not always appreciated winter, especially since moving to Connemara almost twenty four years ago. Growing up in Kildare and the suburbs of Dublin, I had a fairly indifferent attitude towards the winter months but this is simply not possible in Connemara, where the climate has a kind of physical, elemental force. I struggled with it for many years, particularly as a young mother battling with the practicalities of moving small children around in bad weather.

 

The Winter Garden in snow

 

 

 

Bronze figure in the winter garden

 The winter garden under snowfall reproduced with kind permission from Brigit’s Garden

 

 

 

What is it about this sleeping woman  – rendered out of the earth and so delicately portrayed in bronze – that is so captivating? When you walk out onto the island, she seems so peaceful by the curve of the water, under the simple lines of the trees that for an instant you worry, in case she might be disturbed.

 

Photo of Sculpture in Brigit's garden

Close up of sleeping woman from Stream

 

 

Perhaps it is simply that she reminds us that there is a time for rest, in nature and in life and that this is natural and necessary. There is comfort in this tranquil interpretation of winter because it offers us calm and reassurance.

Thank you to Angelica Dooley who had given me permission to reproduce her beautiful haiku.

You can visit the garden website at www.brigitsgarden.ie

 

 

Lay down your sweet head

and rest while winter rages.

Charge your weary soul.

 

(Angelica Dooley)

 

Open for Christmas

New work at the Lavelle Art Gallery

The Lavelle Art Gallery is open for Christmas after several weeks of renovations! We have extended our ground floor space so that our visitors can now view work upstairs. Where before you were greeted by a door just inside the gallery ( often covered in promotional material and cards ) we now have an open staircase leading to a landing space and a newly refurbished room. Continue reading

Renovations – Progress!

New tiles for the fireplace

It occurs to me that I may be the only person on the planet who is seriously interested in what I am about to impart – the sad fact is that my life has been more or less taken over with the gallery renovation since it began earlier this summer. The exciting news is that we are making progress! The walls are now plastered and almost ready to paint, just a few more days for drying. The old carpet has been removed and I believe that the new flooring is going down as I type. At last we can get a feel for what this room will look like. Well, I’m getting a feel for it in any case 😉 Continue reading

Gallery Renovations

 

The Gallery is closed at the moment because we are renovating a room upstairs in order to extend our gallery space. This room would have been the main sitting room when Gavin’s grandparents lived in the house and it is directly over the existing gallery. We closed our doors last week and put the art into storage, covering every remaining object left with sheets of polythene. We were told to anticipate dust and it has arrived! Continue reading

Looking back at Clifden Arts Week

I wrote this piece for the current issue of the Connemara Journal, out now.

It is hard to believe that October is here, having enjoyed so many warm bright days last month. Such an extraordinary beginning to Autumn and such a rich month of festivities in Clifden. Like others, I feel sustained for weeks to come with the memory of many special events. Each person retains their own corner of arts week – for some it is the spoken word, for others it is music – raucous in the cosy underbelly of Mullarkeys bar or tranquil in the stone clad surrounds of Christ church.

My own favourite events this year include the work of visual artist Joe Wilson, whose drawings and paintings ( displayed in the Station House complex ) describe both the energy and delicacy of the connemara landscape and mountains. The exhibition was captured in a beautiful limited edition book titled ‘Into the Mountains,’ published by Occasional Press and organised in collaboration with Ballynahinch castle. I also mention the work of artist and wood turner Angie Williams from Letterfrack, a true master of her craft who created a series of wood turned vessels made from native holly and sycamore trees. Some are adorned with gold leaf, others are delicately pierced and fine as lace.

Vessel by Angie Williams

Sycamore bowl by Angie Williams

Sycamore bowls by Angie Williams

Artisan House Editions also from Letterfrack, launched two productions as part of the programme –  the first is called ‘The Works’ by visual artist Joe Boske whose work is synonymous with the festival over the years. This book is dedicated to Joe’s work as a painter and illustrator in the forty five years that he has lived in Ireland. The second is simply titled ‘Connemara’ by sculptor Dorothy Cross. This launch took place in the gallery space that was the old supervalu in Clifden, transformed once again this year to house just some of the incredible art collection of Pat Murphy. A fitting venue for a celebration of one of Ireland’s most prolific contemporary artists. The book itself contains a thought provoking introduction by academic Robin Lydenberg, some fascinating insights into the artists work and many beautiful colour plates.

'Connemara' by Dorothy Cross

‘Connemara’ by Dorothy Cross

Another special event for me was the readings by Paula Meehan and Theo Dorgan. I was especially thrilled to meet Paula afterwards and was touched by the few words she shared so generously as she signed my book after the event.

Theo talked about how remarkable it is for a small town such as Clifden to herald the arts so veraciously and so consistently, particularly in the current climate when our leadership seems to want to strangle the arts at every turn. Such an example we set for our country if only it would sit up and take heed.

With three children attending school in the area I was made aware of the variety of workshops and activities available to school children during the week. I can think of no other place in the country that has such access to the arts and which celebrates artistic endeavour so fully at every level. I am left with an enormous sense of privilege to be able to live here and to educate our children in this environment. Sincere thanks to the artists and the organisers, especially Brendan Flynn who is at the heart of it all and the arts week committee whose hard work and commitment have made this years festival another resounding success.

Gavin Lavelle Exhibition – Clifden Arts Week

Cover image ‘Spiral Eye’ by Gavin Lavelle

 

This post is shared with the Lavelle Art Gallery blog which I write with my husband Gavin Lavelle. The Lavelle Art Gallery is a family business run by Gavin in Clifden, County Galway where we live. We have a brand new website that we have been working on this summer and you can visit it it here at www.lavelleartgallery.ie 

Gavin opened an exhibition of his work this week end for Clifden Arts Week. The display is located at the Station House on the Galway Road and it comprises of twelve new works. The large space is divided into three rooms, the accompanying rooms feature work by Irish landscape artist Joe Wilson and artist and wood turner Angie Williams. The diversity of material and colour make for an interesting exhibition that showcases the high standard of artwork being made here in Connemara.

 

Gavin prepares for the exhibition opening

Preparation for the exhibition opening. Wood turned forms by Angie Williams behind and paintings and drawings by Joe Wilson in the far room.

 

 

 

New works by Gavin include two large circular forms entitled ‘Spiral Eye’ and ‘Hive’ in which a myriad of pattern, beads and glass eyes form a kaleidoscope arrangement.

 

Spiral Eye - detail

‘Spiral Eye’ – detail

 

 

 

'Hive' by Gavin Lavelle

‘Hive’

 

 

The collection includes a small hand made triptych with a gold leaf central panel. There are several large collage paintings and a giant size map of Ireland.

 

Triptych central panel

Triptych central panel

 

 

 

Gavin collects his imagery from a variety of sources; maps, bird books, biology and botanical source books. He also uses vintage jewellery, beads, glass eyes and bones and twigs that have been painted or covered with gold leaf.

The compositions are all held within a structure, sometimes it is an adaptation from a classical painting or a real or imagined map. Larger forms are constructed out of wood into circular panels or domes. He uses antique boxes or specially constructed cabinets for smaller pieces.

Paint binds all of the strange, unconnected material together. A sensitive use of rich colour and contrast allows the imagery to flow in a seamless fashion in spite of its incongruity, creating an ‘alternative reality for the viewer’.

Of his work Gavin says ‘there’s a framework I have developed and a language that I use which can give the viewer enough scope to enter the paintings and enjoy them for themselves. Ideally I am happy enough with the viewer being engaged enough to meet me half way.’

Gavin Lavelle Exhibition – Clifden Arts Week

Spiral Eye by Gavin Lavelle

Spiral Eye by Gavin Lavelle

Gavin Lavelle opened an exhibition of his work this week end for Clifden Arts Week. The display is located at the Station House on the Galway Road and it comprises of twelve new works. The large space is divided into three rooms, the accompanying rooms feature work by Irish landscape artist Joe Wilson and artist and woodturner Angie Williams. The diversity of material and colour make for an interesting exhibition that showcases the high standard of artwork being made here in Connemara. Continue reading

New – The Gallery Shop

The Gallery Shop Logo

 

The Lavelle Gallery is delighted to open The Gallery Shop. This is a brand new venture that slots seamlessly into the existing gallery space, offering our customers a new and interesting selection of design led stationery and gift items. So far we have had a hugely positive response from our visitors and from our local customers. 99% of the products retail under €20.00 and this is no accident because as well as providing another dimension to the gallery, we want these items to be affordable to all. Continue reading