Wound

This is another painting in a series based on the sea. I used a photograph I took last year of a cliff for reference, as it is viewed from the water. It has a cleft shaped by the formation of the rock that has been deepened by the corrosive action of the sea. I begin by looking at texture and the directions in the layers of rock, so I am starting with a skeleton of the image, made in textured paste.

 

First stage of 'Wound' painting

 

 

 

Once this layer is dry, I add colour – lots of purple and grey for the cliff and tones of blue for the sky and sea.

 

Second stage of 'Wound' painting

 

 

 

 

Next I add browns, greens and yellow and just a touch of red at the heart of this cleft. I am thinking about the storms in Connemara and the destruction that took place earlier in the year. I am playing with the notion of the land as something human that can be hurt but I use the colour sparingly so that just the suggestion is there.

 

'Wound' painting with more colour

 

 

 

 

The colour settles once it has dried and I add just a few more details and another touch of red at the centre that I allow to bleed into the blue and the white paint of the sea. I decide to call the piece ‘Wound.’

 

'Wound' by Deborah Watkins

 

 

 

I am curious to know what people might feel about this painting? Does it make sense as an image? Please feel free to leave a comment if you feel like it.

The Edges of the Land

I’ve been working on a couple of paintings based on the Connemara coastline. I used some photos I took off the coast of Inishturk for reference. I started out with some texture in the form of paste which I applied directly onto a canvas board, in an effort to get some movement into the piece as well as surface texture. I had last winter in my mind and the destructive nature of the water which changed some parts of our coastline dramatically.

 

Textured paste on board

Textured paste on board 

 

 

 

Next some colour – new greens just purchased ( mixed with a little brown ) blue, gold and white. I left the canvas to dry overnight at this point and continued working on some other boards.

 

First layer of colour applied to painting

 First layers of colour

 

 

 

Here’s the finished piece. I’ve added more colour in the form of paint and acrylic ink. This one took only two sittings after which I felt it was ready to varnish. I developed the next two canvases a little further as you will see in the next post.

 

Margin painting finished

Finished paining