Bog Cotton Painting II

I’ve just finished working on this one. I’ve been tinkering with it for several days and at times painting is like this for me. Other paintings I can finish in one or two sittings. It’s hard for me to say which method works better but generally I think that there is more energy in the work that is finished quickly. This is how this painting began (below).

 

Landscape sketch by Deborah Watkins

 

 

 

Here it is with more colour. These two stages were carried out during the same sitting.

 

Second stage of landscape painting by Deborah Watkins

 

 

 

I returned to the piece after a few days and added lots more detail. I’ve gone a little overboard with the blue ink here and it’s quite fluid so I have to wait until it dries before I continue.

 

Third stage of landscape painting

 

 

 

This is the next stage (below). I’ve attempted to ‘tighten’ it up but I think that it has become confused. I’m definitely trying too hard here and it’s not working!

 

Fourth stage of landscape painting

 

 

 

When I return to the painting, I try to de-clutter the image by redefining the strip of bog in the centre and I use more green in the foreground (below).

 

Finished Painting by Deborah Watkins

 

 

 

This is the painting as I have left it (below). I’ve softened some of the lines in the middle ground and I’ve used some red ink to add more contrast. I am happier with it now because I think that it has more of the atmosphere of the place. I’m reluctant to take it any further at this stage so I’ll leave it for a few days before I varnish it…what do you think?

 

Finished painting by Deborah Watkins

A Forest of Green

This tiny but prolific plant grows right on the shore at Candoolin in Errislannan. This is a small rocky beach, just south of Clifden which is accessible from the roadside. It is obviously thriving here in this environment and has spread over the rocks like a miniature forest with just stone and seaweed for companions.

 

Photograph of rock plant at Errislannan beach

 

 

 

Here it is again, a little closer up. The perfection of each plant and each leaf is a marvel.

 

Photograph of seashore plant at Errislannan

 

 

 

And closer still..

 

Close up of seashore plant at Errislannan

 

 

 

The repetition of the shapes taken from above give the image a shimmering effect. One last photo (below). I love the vividness and vibrancy of this green. I need your help to identify this plant. Is it a liverwort? I’d love to hear from you if you know.

 

Close up of plant at Errislannan

 

 

Bog Cotton Painting

I wanted to make a painting of the Summer bog and include some bog cotton as I saw in Oughterard recently. This is how it began (below).

 

Photo of painting at it's first stage

 

 

 

I used more paint to describe the grasses in the foreground and the bog surface as it recedes in to the distance. This was done while the first layer was still wet. I decided to wait until the paint dried before painting the wandering water channel (below).

 

Photo of bog painting at it's second stage

 

 

 

After a couple of days, I returned to the piece and used some blue and grey ink together to describe the water. I also added gold paint and green ink to enrich the colour to the right of the painting. Then I applied a touch of white to describe the bog cotton. I leave it at this point although I feel that it needs more work.

 

Last stage (?) of bog painting

 

 

 

When I return to the painting I see that it needs more contrast and more colour. I darken the area to the left foreground with a combination of red and purple inks and I add some pink and red to the middle ground. This is the painting as I have left it (below). I will leave it for a couple of days and then decide if it needs anything more..What do you think?

 

Finished painting of Bog by Deborah Watkins

 

Return to Omey Island

I returned to Omey Island with G last week when the rare opportunity of an afternoon off without the kids presented itself! It was a glorious sunny day and we decided to walk the perimeter of the Island. The tide was well out when we arrived so we walked across the strand and made a right turn along the grassy edges. We met a small beach which we walked along before we had to climb up a bank to continue. This is the view from there across the sound to Claddaghduff (below).

 

Photograph of Sea and Sound taken from Omey

 

 

 

 

Once we reached the top of the grassy mound, the view opened up to take in the rolling meadows and the sea as it wanders right out to the line of the horizon. I was immediately struck by the fields of flowers, the vividness of these tiny yellow plants ( Bird’s-foot Trefoil? ) and the sweetness of their scent in the breeze. It was a heady Summery rush and I had to suppress the urge go no further and just lie down and soak it all in! This is one of my favourite photographs (below) because it contains these perfect hues of blue, yellow and green which are my lasting memory of this walk.

 

Photograph of Omey Island

 

 

 

 

Here’s the view heading West and looking out towards Cruagh Island and the Atlantic (below).

 

Photograph of Omey Island looking out towards the Atlantic ocean

 

 

 

 

As we moved around the Western side of the Island we came across another beautiful beach (below). Looking back at this photo, it seems almost too perfect to have been real and it felt like that, a kind of earthly garden of Eden.

 

Photograph of beach on Omey Island

 

 

 

 

I took this last photo on the Southern side of the Island. The grassy slopes fall away to this outcrop of flat rock which sinks downwards towards a wide sandy beach (below).

 

Photograph of a beach on Omey Island

 

 

 

 

Photo of beach at Omey Island

 

 

 

 

We quickened our pace after I took this photo as thoughts of the incoming tide took over! In fact we had plenty of time. We resolved to check the times for the tides the next time and return to explore the centre of the Island.

Beach Flowers

 

The sun shone late one evening last week when I went for a walk along a beach in Errislannan with my family. This is a beautiful peninsula just south of Clifden. I took some pictures and we collected driftwood and paddled in the water.  Unexpectedly, I found a treasure of flowers growing in the area. This is the view looking back down the beach from the furthermost point.

 

Photograph of Beach at Erislannan by Deborah Watkins

 

 

 

There is no sand here, just stones all rounded by the tidal movements of the sea.

 

Photograph of stones by Deborah Watkins

 

 

 

 

I stopped to photograph this vivid blue plant on a bank along the beach. I am no botanist so I welcome advice on the naming of any of these! Is this one a Scabious?

 

Photograph of Blue Flower by Deborah Watkins

 

 

 

Here it is again from on top. I love its starlike shape and its jewel blue colours.

 

Second Photograph of Blue Flower

 

 

 

I almost missed this next one. There were just two little plants on their own right at the edge of the shore. I’m going out on a limb here to suggest that this might be a wild Orchid..

 

Photograph of Wild Orchid?

 

 

 

The next photo is of some Thrift, my favourite plant of all. I am amazed how it manages to grow so prolifically in the most barren of places, it seems to sustain itself from rock alone.

 

Photograph of Thrift by Deborah Watkins

 

 

 

I was surprised by how much it had turned, nearly all the clumps of flowers were a dry honey brown colour (below). I like the line of them still, their tall broad stems and their bobbles of crispy petals.

 

Photograph of Thrift by Deborah Watkins

 

 

 

Here’s one that’s just beginning to fade (below).

 

Photograph of Thrift by Deborah Watkins

 

 

 

This last picture is of a single Thrift flower still in full bloom. There were only a handful of these.

 

Photograph of Thrift by Deborah Watkins

Fields of Cotton

The last time I wrote about Bog Cotton it was May and there were just a few scattered strands. I stopped to take these photographs outside Oughterard last week because the cotton is in full bloom now. It may not be a field of cotton as sung by Credence Clearwater Revival (!) but this tiny Irish plant is a beautiful sight at this time of year.

 

Bog with cotton near Oughterard

 

 

 

These fields are carefully managed and the cotton thrives on the newly cut bog surface. My feet sink slightly into the spongy top layer as I take my picutres..

 

Photograph of Bog cotton near Oughterard

 

 

 

I love the contrast between the dark chestnut colours of the bog and the soft greens and pinks of the grasses. The bog cotton enhances the scene like sprinkles of tiny sugar shapes. There is something delicate about the appearance of the bog here in Summer that is almost magical.

In a few months, this will change again. The cotton will disappear and the colours of the heath will deepen and take on a fiery quality and a completely different mood.

 

Photograph of Oughterard Bog

 

Landscape – Dark Pool

This is a landscape on canvas (5″ x 7″) that I have just finished. It is based on an area between Clifden and Roundstone known as the ‘Bog Road’ which offers impressive views of the ‘Twelve Bens’ mountain range.

 

 

Landscape by Deborah Watkins

 

 

The photograph below shows the painting after the first sitting. I have used quite a lot of acrylic paint and ink to get it to this stage. The pool in the centre is the main focus of this one as you can see.

 

Painting: 12 Bens 2

 

 

Here it is from a different angle – I’ve brought the painting around the edges of the canvas (below).

 

Painting: 12 Bens 3

 

 

I wanted to make the piece darker in terms of colour and mood when I came back to the painting. These bog pools have a bottomless watery darkness about them that I am trying to convey here. I got it to this stage (below) but now I am not happy with the sky or the mountains in the background.

 

Painting: 12 Bens 4

 

 

I returned to the piece when the paint had dried and attempted the background again. I decided to introduce some reds and purples to the mountain range as there is too much blue in the piece above. Here is the painting as I have left it (below).

 

 

Landscape by Deborah Watkins

 

 

In an effort to create more drama and movement, I allowed the grasses and water to spill over the front side of the canvas (below).

 

Painting: 12 Bens 6

 

 

I am happier with the piece now and I think that the red mountain range is an improvement. I hope that I have managed to create this dark mood I am looking for. What do you think?

Painting – Landscape near Oughterard

This landscape is based on a place near Oughterard, County Galway not far from the Bog I painted recently. It is also a bog but unworked for some time and now covered in a layer of grasses and heathers. Here’s a photo I took of the area and below that the painting as it began – a rough sketch in charcoal.

 

Landscape photo

 

 

Oughterard painting, stage 1

 

 

This is the next stage – I blocked in some areas of colour loosely with a wide brush. I decided to use green and pale pink which is what I see/remember when I squint my eyes. I’m also thinking about this combination of colour as I saw it while taking photographs of some wild flowers near my home ( see ‘Wild Fuchsia and Nature’s Colours‘ ).

 

Oughterard painting, stage 2

 

 

This is the next stage (below). I took this photo just after I added the green ink to the pink acrylic paint and it has bubbled as it has made contact with the paper! I want to add depth to the landscape here but also retain these broad strokes of pink as much as possible. I am trying to suggest the taller grasses with the pink and green mixture at the base of the painting but without doing it too literally.

 

Oughterard painting, stage 3

 

 

This is the piece as I have left it (below). I added more paint to the mountain and lake in the background. I also gave the painting some more contrast with brown ink and just a little more red.

 

Oughterard painting, stage 4

Conamara Bog Week Exhibition

I visited an art exhibition in the National Park in Letterfrack this week as part of the annual Bog week celebrations that are held here. This year, four artists were invited to contribute to a show with the theme of the Boglands in mind. The artists in question are all living locally so just as the exhibition champions the Bog week festival, it also recognises and salutes some of the artists who live and work in this area.

This year Bog week celebrates the work of Laura Cull, Gemma Coyne, Jay Murphy and Bernie Dignam.

 

Sea Week Exhibition Poster

 

 

Bernie Dignam is a textile artist and printmaker whose tapestries and woven batik and silk hangings resonate a long tradition and colourfully portray the subject.

Jay Murphy presents a variety of work for this show which includes some large paintings of old boats in mixed media as well as some small square landscapes on board in rich pastel hues.

Gemma Coyne has produced a series of photographs as well as a video installation. Her photography captures her placement of wood and felted objects in the natural landscape. All of these artists have paid homage to the theme in a sympathetic and creative way through their work but I have singled out the paintings of Laura Cull here as they resonated with me especially.

Here is an example of one of Laura’s paintings below.

 

Painting by Laura Cull 1

 

 

I love the sinuous lines and delicate colours of these. They are so strongly evocative of the Bog but in a light and ethereal way. They make me think of precious remains – perhaps those uncovered bog bodies or some ancient fabric belonging to an old chieftan.

 

Painting by Laura Cull 2

 

 

Here are two more paintings below – similar textures but this time with vivid greens and browns.

 

Painting by Laura Cull 3

 

 

Painting by Laura Cull 4

 

 

These green paintings seem tangible and organic – perhaps some piece of ground observed under a microscope. They connect well with the blue shadowy paintings and bring diversity and depth to the collection of works on show. I thoroughly enjoyed this exhibition and it continues over the holiday week end until June 4th. Go see if you can!

Landscape – Progression

This is a bog landscape I’ve been working on as it has progressed. This is how it looked after the first sitting. The colours were true in the sense that the landscape did seem a lovely pale colour when I squinted my eyes. However, I felt that the overall appearance of the painting at this stage was quite flat. I decided that it needed more contrast and I also needed to dilute the horizontal brown lines on the left which are distracting because they are parallel with the edges of the canvas.

 

Bog Landscape, unfinished

 

 

I darkened the middle background of the canvas by adding more gold, orange and some green. Then I brightened up the sky with some blue and added more paint and detail to the foreground.

 

Bog Landscape, finished

 

 

I’m calling this one finished. The golds and browns here remind me of the raku glazes I used when I made pots. There is a lovely element of surprise with ceramics (especially raku) when the glazed pot is revealed – I will write a post about my work as a potter soon. When I use paint and ink together as I have done here, I get a sense of this as the result is not entirely predictable. I love the way the colours bleed in to each other and this sometimes has a depth about it that is like looking at the fused layers of glass and colour on a glazed pot.