Contrast

by Total WP Support Inc.. Posted on February 3, 2013

03 Feb

I started this one with a couple of others recently. It’s loosely based on some pictures I took out on the bog road this month. I think this one is all about contrast – between the black bog and the white/golden grasses, the darkness of the earth itself and the lightness and blueness of the sky and its reflections.

Here’s how it started below.

Here’s how it progressed – I worked this whole piece very wet, playing with the inks and paint and trying to work with their fluid qualities. I love the way they react together, bleeding into each other like glazes fusing in a kiln.

I’m almost tempted to leave it as it is ( above ) but I go back to it once the colours have dried. I try to put in just a bit more detail and to describe the grasses a bit better and give them more direction..

While I am quite happy with this one, I almost prefer it at the earlier first stage as pictured above – what do you think?

January Bog

by Total WP Support Inc.. Posted on January 31, 2013

31 Jan

I drove to Galway yesterday and stopped on the way to take some photos just outside Oughterard. It’s a favourite spot of mine – I took some photographs there last Summer. It’s a different place in January but no less beautiful and in fact there’s still a real richness to the colours of the bog and grasses, lovely russety browns and mahogany shades..

There was very little colour in the sky and this is reflected in the pools of water which have a metallic quality, like liquid silver or mercury. A lovely contrast against the earthy mix of colours around it.

There’s a quietness about the place, a stillness, as if the earth still rests. I imagine tiny tendrils underneath, waiting to move upwards and change this place again with a wash of green. Soon..

January Landscape

by Total WP Support Inc.. Posted on January 25, 2013

25 Jan

I started another landscape based on some photos of the bog I took in the rain this month. I began the piece on the easel and used charcoal and broad brushes with lots of colour – below.

The horizontal swipe of orange made me think of Egon Shiele‘s work – something about the combination of black and rust. I had to stop and take a look at his paintings – this one’s called ‘Truth Unveiled‘

I love the energy in the lines, the scratchiness of them, you can almost feel the hand that made these marks – the daubs and blocks of vivid colour. Wonderful.

Image taken from canvasreplicsa.com

Now back to work! I added more colour and detail to the landscape below, it’s still on the easel so the inks and paint run downwards a bit.

I take it off the easel now and do some work on the table, trying to counteract the vertical lines with more horizontal shapes of colour.

I want to darken it a little now so I use some charcoal where the paint is dry, on the hills at the back especially and in the line through the middle of the road.

I mark in the fence on the left also with charcoal.

I reworked much of the piece ( below) once the paint was dry. The fence is gone and I’ve decided to leave it out. I tried consciously to avoid being precious about what I’d already done, pushing myself to just go ahead and make mistakes – keeping the image of the place in my mind at all times.

I think this is where my greatest weakness is and I’m trying to gain the confidence to finish a painting with the same energy that it had when it began. I’m happier with the results so far and I need to put this painting away now for a few days and come back to it afresh.

Rain, Rain

by Total WP Support Inc.. Posted on January 9, 2013

09 Jan

This Christmas was one of the mildest and wettest in my recent memory. We’ve had almost three weeks of rain now. I’m struggling to remember a rain free day in that time. G tells me it was fine on New Years Day and I can’t figure out how I missed it! Must have had my head in a book when the sun came out! I took these photos at the week end out on the Bog road to Moyard. It was pouring rain at the time, had been raining since early morning and there was a thick mist hanging low and covering everything in the middle and far distance save for a haze of trees and telegraph poles. Several of the images are blurred due to drops landing on the lens. I quite like the some of the results though. There’s a drama about them, a romance that I would love to be able to translate in to paint. Here’s some more blurry shots.

Miry Place II

by Total WP Support Inc.. Posted on November 21, 2012

21 Nov

The last time I worked on this painting, it looked like this (below)

It sat around for a long while and every so often, I would pick it up and tinker with it, always feeling that it needed something more. Here are some of the stages I brought it through;

During this time, the seasons changed and those bright yellows turned into darker browns. I thought I’d try to reflect this in the piece and to darken the whole painting considerably. Here’s the result below.

It’s a far cry from where it started! It has completely lost the freshness it had early on. There was something there at the first stage that really worked – the deep blue and ochre colours against each other especially. Perhaps I should have left it as it was but it did seem to me to have an unfinished air about it. I was very unsatisfied with all these in between stages but I am quite happy with it now in it’s darker form. It does seem to me to reflect the darker hues of the landscape at the moment. What do you think?

November Bog

by Total WP Support Inc.. Posted on November 12, 2012

12 Nov

This is another painting in the Black Bog series that I’ve been working on. It’s similar to the last one featured here but it’s twice the size at 10 x 8 inches. This is how it began;

Next, I added a line of brown ink and dragged the colour downwards with a broad brush to give the lower part of the painting an under colour. I also used some gold paint.

Here’s the next stage below. I’ve used lots of colour – browns, reds, yellows and golds. I’ve manipulated the way the inks react with the paint to create interesting textures and I’ve worked with a variety of brushes to make different kinds of marks.

Once this layer of paint had dried completely, I worked on the piece again (below). I deepened the blues of the hills in the background and I darkened some of the colours to give the painting more contrast.

This is the finished piece below. Once again, I added more paint and ink when the last layer was completely dry. I altered the line of the bog slightly to make it less horizontal and I’ve given the bog more depth with these additional layers of colour.

Winter Waits

by Total WP Support Inc.. Posted on November 9, 2012

09 Nov

The first week of November has come and gone with more dry days than wet. It’s a remarkable thing here in Connemara where the rain is never far away. We feel grateful when we get a whole day of dry weather, even more grateful when we get two in a row. I find an excuse to go outdoors when it’s like this, everything else can wait; housekeeping, book keeping, laundry, shopping, even painting is put on hold. If I’m really organised I’ll put some washing out to dry first thing, so that I can leave guilt free.

I took these photos out on the bog road between Clifden and Roundstone. October’s gold has deepened to these Wintry hues, it’s brown all over and under – russety, chocolatey, chestnut brown. The light is low, shining across rather than above and making the brighter grasses glint like shards of coloured glass or metal.

The water makes a silvery stripe against the bog and there’s an inky blackness at the edges where the grasses are reflected. It makes me think of a pool of mercury sliding through the landscape.

There’s a stark kind of drama about it all, a bareness from the flat grey light of the sky that seems to muffle colour like sound. I like to track down the words, sometimes a verse to match the way the land looks. That’s how I stumbled across these lines from the poem ‘November‘ by John Payne. I think they fit the mood well – the setting is an empty stage and there’s more than a hint of darkness in the shadowy figure of Winter, laying in wait.

The tale of wake is told; the stage is bare,

The curtain falls upon the ended play;

November’s fogs arise, to hide away

The withered wrack of that which was so fair.

Summer is gone to be with things that were.

The sun is fallen from his ancient sway;

The night primaeval trenches on the day:

Without, the Winter waits upon the stair.

taken from ‘November‘ by John Payne ( 1842 – 1916 )

Black Bog

by Total WP Support Inc.. Posted on October 30, 2012

30 Oct

This image of Roundstone bog inspired the painting above. It’s unremarkable as a photograph but I love the contrast in it, between the darkness of the boggy landscape and the gem like blues of the mountains and paleness of the sky.

This is how the painting started below.

I started at the top of the page and kept the colours clean when working on the sky and mountain shapes. Then I outlined the line of the land in a dark ink and I dragged some of the colour down using a brush to make a yellowish wash. This is the how the painting developed below.

I worked quickly using a combination of acrylic paint and ink together and brushes of different sizes. I like the way the paint settles when I work quickly like this, some effects are accidental but I have an idea about the overall feeling I want the piece to have. The middle and foreground dominates in this one because the marks are broad and gestural and this contrasts with the relatively careful way the sky and mountains have been painted. The richness of the colours that I have used in the landscape also make it stand out – browns, reds, golds, yellows and some dark blues. I like the way a large brush stroke gives the impression of strata, like layers of matter so the effect is being allowed to see under the earth as well as across it, to see the layers of material that have built up under ground over time.

I’ve decided to call this one finished as I’m happy with the results as they are. I’ll varnish it once the paint has dried and this will give it a protective coating as well as making the colours appear richer, as they were when they were just made and a bit like the way the colour of a beach pebble looks deeper when it is wet.

Returning – Coastline Bog

by Total WP Support Inc.. Posted on October 8, 2012

08 Oct

It’s good to be back. We’ve had a wonderful holiday in the magnificent city of Paris, a special family treat that we have enjoyed immensely and which was as exciting and fun as we could have imagined, but more about that in my next post..

There’s truth in the adage that travel that makes the return home all the sweeter – the first sight of the Twelve Bens felt like a welcome home party after our long journey, all hazy and blue in the evening sun.

Feeling full of enthusiasm, I got back to work at the week end and went out with my camera to Aughrus Mor, just North of Clifden. It is a flat low lying area of rock and bog that stretches right out to the sea. It’s always windy here and the breeze seemed to accelerate as I moved closer to the water. Although I went out with the intention of taking pictures of the sea and islands off shore, I found myself looking at the ground at my feet – a lovely combination of stone, bog and some wonderful cushiony soft grasses. I love the feel of these ~~spongy~~ plants, a mantle of spongy softness under every step.

The earth was broken by a number of bog pools, each one a different combination of curling edges and the stillness of the water ~~contained~~ reflected the colours in the sky.

This small one was eerily hidden and reminded me of the mythical bog holes that people warn you about, the kind through which people are supposed to disappear after dark, never to be seen again ‘beware of the bog holes, you never know how deep they are..’ Is there any truth to this I wonder? I wasn’t about to find out for myself on this occasion..

This low lying area was difficult to cross as the ground was so wet but such a rich combination of plants and colours. The vividness of some of the tiny water plants was striking and those russet red ferns seem like the perfect complement to all those greens.

I discovered to my dismay that my new boots are not waterproof, should have brought my wellies..

Nonetheless, I came away feeling satisfied that I have some rich source material for a new batch of bog paintings.

Night Bog

by Total WP Support Inc.. Posted on September 17, 2012

17 Sep

I found this painting (below) in a drawer of old works. It’s very small, about 4″ x 3″ and I’d started it about two years ago for a group exhibition. I was unhappy with it at the time and decided to put it away. Sometimes these discarded paintings don’t seem so bad later on so when I came across this one recently, I thought I might rework it a little. The white patch in the middle ground is a damaged area where something stuck to it and then the paint was removed. While I like the colours in the piece, I think it lacks definition.

This is the finished piece below. I’ve given the sky more interest and direction using some white paint and a little charcoal. I’ve also added a fine wash of gold and blue. I tidied up the white patch with some brown ink and then I put some gold grasses in the foreground. I’ve pushed the grasses diagonally across the bottom of the image to give a sense of atmosphere. Finally I added some tiny gold highlights in the middle ground where the light of the moon might be catching the tips of the lighter bog grasses.