Gorse – The Colour of Summer

I wrote this piece for the May issue of the Connemara Journal, which will be available shortly.

April brought unexpected heat as well as more predictable showers this year –  a boon of warmth and rain that has resulted in a rush of growth all over Connemara. My own back garden seemed to come alive with colour overnight – new leaves and blossoms swelled in perfect haste, you could almost hear the growth. The gorse transformed itself invisibly from a few scattered flowers into a sea of deep egg yellow that steals a little further every day. Also known as furze, the scent of this impressive plant is subtle but heady, something like the delicate sweetness of coconut. Along with our native fuchsia, it is the shrub that most people associate with this part of the world and it’s hardiness and vivid beauty describe this place like no other. It is also one of our longest flowering plants, coming into it’s own in April (although blooms can be seen much earlier) and lasting right though the summer and into early winter.

 

Roadside 1

Late summer gorse and heathers at the roadside in Errislannin by Deborah Watkins

 

 

 

It is hard not to miss the gorse in Connemara at the moment, in thick banks along the roadsides and in great mounds and ridges that brighten the landscape. It is closely related to the brooms species of plant and they share similar characteristics with their dense slender stems and very small leaves. Gorse distinguishes itself with it’s sharp thorns ( which can measure up to four centimetres long ) and it’s bright showy flowers are always yellow.

 

Another photo of gorse

Gorse thorns and blossoms by Deborah Watkins

 

 

 

Gorse has a long history as a fuel because it is easy to burn and it burns very well, reputedly giving off as much heat as charcoal. The ashes it produces are rich in alkali which are very enriching for the soil so it is often burnt down to improve the quality of the land, a practice which is hazardous in dry weather.

Historically, the bark and flowers have been used to produce a yellow dye and gorse flowers have also been used to add flavour and colour to whiskey. In homeopathy the gorse is used as a remedy to give people courage. It’s evergreen leaves and long flowering blossoms are a reminder of the returning sun after short winter days, it’s cheery colour a promise of summer.

Colour

It’s the last week in April and we are only just beginning to see some Springtime colour here in Connemara. The yellow gorse flower is bursting into bloom, a little more each day although it is almost alone – you can see the extent of the brown scrub still in this photo below. The hedgerows and landscape are just starting to turn and the few trees in our garden are not in leaf yet. We’ve had a lot of rain over the past few days however so I’m waiting for a rush of green and colour anytime soon..

 

Photo of gorse bush

 

 

 

 

Here’s some more images of the gorse.

 

Photo of gorse by Deborah Watk

 

 

 

Another photo of gorse

 

 

Autumn Gold

I took a trip out to Roundstone village at the week end and took some photos on the way. I travelled on the bog road which is a ribbon of tarmac that twists and bumps across the landscape. It’s spectacular at any time of the year because of the vast expanse of bog and lakes and the backdrop of the Twelve Bens mountains but it is really special in Autumn. The burnt orange colours of the grasses give off a deceptive feeling of heat and all the more striking against the blue of the mountains behind. It’s a combination that makes me think of the outback of Australia, wild and vast and hot.

 

Photograph of Roundstone bog by Deborah Watkins

 

 

 

There are few trees in this place which is something I miss but this carpet of orange heathers and grasses makes up for it. Shimmering colours against the low sun; yellows, browns, ochres, coppery reds – it’s a fiery mix and a golden time, a pause before the long Winter ahead. When the days are warm like they have been, it’s an extra gift, making long sunbeams indoors and tall shadows outside and unexpected warmth, reminding us to hold on to every balmy moment while we can and to savour it.

These grasses below are on the outskirts of the village.

 

Golden grasses near Rounstone village by Deborah Watkins

 

 

 

It’s an impressive sight and the land feels alive with movement, like hair or water, the gentle sound of it making a whisper, moving back and forward and around me where I stand. Now I have the notion that I could be in some wild prairie in America, not here in Connemara where it’s green and wet.

 

More grasses near Roundstone by Deborah Watkins

 

 

 

 

I liked the contrast between the fence and the grasses in this next photo.

 

Fence and grasses near Roundstone by Deborah Watkins

 

 

 

It looks bleached by the sun, not weathered by rain and wind as it has been here on the edges of the Atlantic. I want to go home now and find a sunbeam to sit in with a cup of hot tea and read about landscapes far away and bask in the last of the day.

 

Close up of fence by Deborah Watkins

Bog Furrow

 

I’ve been working on this one for about a week. It hasn’t come together as easily as the last couple of paintings, I’m not sure why. Perhaps my enthusiasm has waned a little since the first and I need to change direction for a while. Here’s how it started below.

 

 

 

 

 

 

This is the next stage. This large furrow is the main interest and I’ve added a grey pool to draw the eye down and in to the painting. I’ve tried to vary the colour and texture of the grasses but I think this middle ground looks confused. I also think that the brown line following the direction of the hill downwards has the effect of slicing the picture in two..

 

Penultimate stage of bog painting

 

 

 

 

Here’s the painting as I have left it below.  I’ve developed the background a bit by adding some colour and definition to the sky and the mountains. I’ve tried to make the grasses interesting by varying the blocks of colour on either side of the furrow. I’ve also softened the brown line so that it doesn’t break up the composition as much. The direction of the grasses pushes against the direction of the hill, hopefully to give a stronger sense of movement. I’m still a bit unsure about this one – I can see the struggle in it and I wonder if this is obvious to the viewer. Let me know what you think.

 

Finished Bog painting by Deborah Watkins

 

Land Interrupted

I got back to some painting with the photographs I took of the bog in mind (see Shifting Seasons ). I have been thinking about this notion of the cut bog as a wound. It brought to mind a passage in ‘Tinkers‘ ( a book I have already mentioned a few times! )

In this excerpt, Howard is reflecting on a woman he sees in his mind’s eye, planting flowers. He is thinking about the effect that man has on the landscape. He imagines how a consciousness of this demands some small gesture as a ‘token of redress

 

..the flowers were an act of resistance against the raw earth like an act of sheer, inevitable, necessary madness because human beings have to live somewhere and in something and here is just as outrageous as there because in either place ( in any place ) it seems like an interruption, an intrusion on something that, no matter how many times she read in her Bible, Let them have dominion, seemed marred, dispelled, vanquished once people arrived with their catastrophic voices and saws and plows and began to sing and hammer and carve and erect.

 

taken from Tinkers by Paul Harding, Chapter 1, page 61

 

I love the hyperbole in this piece and the fundamental truth of it. It made me think of the cut bog as an interruption in something that is much older than ourselves or our forefathers or anything we can possibly imagine. I don’t intend to make any kind of judgement about the use of the bog, it is just one way of seeing it, as an ancient observer might, like a star gazing down on all of time. I think perhaps it is this interruption or contrast that draws me to the bog lands. The swaying grasses and heathers are like hairs and goose bumps on skin, a living breathing thing which when damaged, reveals a beautiful shock of glistening tissue and muscle underneath.

This is how my painting of the bog began (below).

 

First stage of Bog Painting by Deborah Watkins

 

 

 

 

Next, I added some broad strokes of orange so that this colour will come through anything I put on top and hopefully make the surface glow.

 

Second stage of Bog Painting by Deborah Watkins

 

 

 

 

I subsequently added more paint and ink ( using different types of brushes ) to describe the heathers and grasses – greens, reds, pinks and gold. Then I used a dark brown ink to suggest the disturbed surface where the bog has been cut and driven through (below).

 

Third stage of Bog Painting by Deborah Watkins

 

 

 

It’s not finished yet but I decided to stop here before the colours became muddy. I will go back to it once this layer of paint has dried completely.

Have you read anything recently that has influenced the way that you see things?

Sky and Sea

The main interest in this little seascape is the sky. It started out like this (below).

I used lots of red at the base of the painting in an attempt to give the final sea colour a richness and depth. I’ve applied the paint quite thickly on the top part of the piece. I waited until this layer was completely dry before I worked on it again.

 

First stage of Seascape

 

 

 

 

This is the next stage below.

I’ve given the cloud shapes more definition and divided them in to dark and light areas. I then used some charcoal to mark out the rocks in the foreground and lots of blue and white paint to describe the sea. I’m happy enough not to do too much more with it at this stage and I wait for this layer to dry.

 

Second stage of seascape by Deborah Watkins

 

 

 

 

This is how the finished seascape looks below.

I’ve used charcoal to heighten the contrast in the clouds and give the illusion of rain falling. I enjoy using charcoal with paint like this although they are not traditional partners – what do you think?

 

Finished seascape by Deborah Watkins

Late Summer Hedgerows

The roadside is brightened with mounds of purple and yellow colour at the moment – the long flowering gorse ( remember when I took some photos of the first Spring gorse earlier this year? ) and the purple heather.

 

Heather and Gorse

 

 

 

The other colour that is starting to appear is the orange of the Montbretia plant. It has been visible until now as bright green clumps along the roadside.

 

Montbretia

 

 

 

 

The sight of the first few blooms makes me a tiny bit sad because it signals the beginning of the end of the Summer (what Summer I hear you say?) In a couple of weeks, these grassy banks will be bursting with swooping orange flowers. Here’s some more pictures.

 

Montbretia flowers

 

 

 

 

This next close up makes me think of Triffids

 

Close up of Montbretia plant

 

Evening light at Tra Mhor

I caught the last of the evening light at Tra Mhor this week. This is one of the biggest beaches, as it’s name indicates at Aillebrack in Ballyconneely, just south of Clifden. It was after 8.00pm when I arrived to find an empty beach lit by the low evening light..perfect!

I love the way the light seems to creep over the sand and the finger like shapes that the clouds have made in this image (above and below)

 

Photograph of Tra Mhor

 

 

 

 

There was a bank of yellow flowers at the edge of the strand where I took some photos (below). Is it meadow vetchling?

 

Bank of flowers at Tra Mhor

 

 

 

 

Here’s a few close up’s. There had been a recent rain shower and you can just the rain drops clinging to the petals.

 

Yellow plant at Tra Mhor

 

 

 

 

Yellow plant at Tra Mhor

 

 

 

 

I took the next few photos from the other side of the bank.

 

Photo of Tra Mhor

 

 

 

 

I love this combination of yellow and blue together. We may not be having the hot Summer that we would like but all is forgiven at moments like these here at Tra Mhor..

 

Photo of Tra Mhor

Connemara Colour

I took some photographs on a recent walk along the ‘Bog Road’ between Clifden and Roundstone. This is a protected area so the landscape is preserved and the mountain, bog and lake views can be enjoyed unhindered by dwellings. Along the way I found some lovely old twisted Hawthorns and unexpectedly, a colourful grouping of Willow. Here’s a picture of the Hawthorn – I love the knarled branches and the way it has formed itself in the direction of the prevailing wind.

 

Photo of hawthorn tree

 

 

Here’s a close up of the leaves and twigs which have a lovely layer of lichen. This combination of green and grey seems like a perfect partnership in colour to me..

 

Photo of lichen on hawthorn tree
Here’s the Willow with its colourful and delicate Spring display of catkins (below).

 

Photo of a willow tree

 

 

The next couple of photos are close ups of these bright yellow downy flowers.

 

Photo 1 of Willow Catkins

 

 

Photo 2 of Willow Catkins

 

They almost have the appearance of tiny sea urchins in water as they move in the breeze.

Gorse and Hawthorn

The wild Gorse is one of the most commonly found plants here in Connemara. We are fortunate enough to have a wall of it in our own back garden. The first few blossoms usually appear in February but they arrived soon after Christmas this year, presumably due to the mild weather. These yellow flowers are always a welcome sight after a long colourless Winter. At the moment the gorse is in full bloom everywhere and it is a sight to behold.
Here is a photo I took of a gorse lined road in Ardbear, just outside Clifden.

 

Gorse in Flower 1

 

 

The gorse stems are thorny and evergreen but the flowers smell like coconut, sweet and summery.
Here’s another picture, a little closer up.

 

Gorse in Flower 2

 

 

And just a mention for the Hawthorn – I stopped the car on the way back in to town to photograph this lovely old tree. I love its knarly branches and moss covered trunk.

 

Photo of a Hawthorn tree