Green Way – Progression

 

I finished this painting of the ‘Green Way’ ( Inishbofin ) recently. This was a commission and I was given a photograph (below) on which to base the painting.

 

Photo of the Greenway, Inishbofin

 

 

 

 

I chose to adhere to the photo quite closely for the composition as this is a well known spot and the clients know the area. This is how it began below.

 

First stage of Green way painting

 

 

 

I filled in more colour next. Yes lot’s of green in this one.

 

GW 2

 

 

 

Next I added some textured paste.

 

Next stage of Green way painting

 

 

 

Now more colour. This time I’m using paint and ink together to get the effects I want.

 

More colour added - Greenway painting

 

 

 

Just a bit more colour and I’m almost happy with it. Time to send an image to the client. This can be tricky as each photo is slightly different – some images have a blueish tinge while others are more yellow – depending on the time of day and the lighting conditions ( and taking my limited photography skills into account ). Also, viewing a painting on a computer screen is a completely different experience to viewing a painting in life.

 

Is this to be the final stage?

 

 

 

I send off a photo and some adjustments are requested. There’s a bit of to’ing and fro’ing and finally the painting arrives at this point below. It’s an interesting one – where does the control begin and end? I believe ultimately with the client when a painting has been commissioned but it is a fine line and one which must be travelled carefully in order to protect the integrity of the artist/painter. There is also the element of challenge for the painter – having certain restrictions focuses the mind and a deadline always helps produce results.

 

Green Way finished painting

Return to Painting

Cover image ‘The Green Road, Inishbofin’ by R. Byrne

 

It’s been a great Summer and a busy one mainly due to my temporary job in the Elm Tree centre, a local mental health clinic. The Elm Tree is a truly wonderful place to work and a very special environment where staff and clients are respected and appreciated equally and where the well being of the people who attend is paramount. While I was there I cooked dinner ( for twenty to twenty five people ) during the mornings and for two afternoons a week we crafted, sewed and painted together. I enjoyed every minute of the time I spent there and I’m glad that I’ll be able to see some of the staff and people from time to time as the centre is very close to where I live.

I spent most afternoons during the Summer with my three daughters during their long school holiday, trying to balance a mixture of fun, outings, play dates and plain old rest. Now I find myself at home again with the Winter stretching out ahead and with some real time on my hands. The kids are back in school so I have my precious mornings to paint, something I haven’t been able to do since May. As luck would have it, I received an email about a painting commission just after my contract came to an end, so I’ve got an exciting project to tackle straight away.

The subject is Inishbofin ( just off the coast at Cleggan about seven miles from here ) and I’m starting with the Green Road on the West quarter of the island. It’s a spot I know very well, a stunning blend of hill, rock and heart stopping cliffs. I remember being told about how special the islands are before I visited them for the first time. It doesn’t take long to figure this out once you go – it’s like an assault on the senses. The sea is so powerfully present everywhere, the sound of it, the sight of it at every turn, the smell of it and the taste of it in the air, quite a heady thing.

My first step is to do some loosening up as it’s been a while, so I’m starting with some small sketches. I’m using the photo above for reference .

 

Sketches

 

 

 

 

I need to work out the composition  – what is important, what is not. I decide that the cliff in the background is where the eye should be led as it is the destination of this Green road and the most dramatic part of the island. I want to heighten it a little to make it stand out. I’m changing the horizon line also, to make the sea peak out at the other side of the cliff. This ‘being surrounded’ by water is very important  for the finished painting and I feel that it is lacking in the photo where it looks more like a piece in a jigsaw puzzle.

 

Composition sketches

 

 

 

So far, this little sketch seems closest to how I want the painting to look – plenty of movement in the landscape and lots of bright colour – but I’m conscious that I’ve lost the sharp incline to the right in this one. I may push the whole image to the left in the next few sketches so I can suggest this better. It’s a start but there’s more work to do before I start painting on canvas..

 

Sketch of the Green Road

 

 

 

 

 

 

Inishturk

I joined a group led by Clifden archaeologist Michael Gibbons on a trip to Inish Turk and Caher Island this week. We set out from Cleggan harbour at 9.30am and headed for Caher island first, north east of Turk. It is tiny, uninhabited and difficult to access. The remains of an early Christian monastery survive on the island which is an ancient pilgrimage place and is still visited for this purpose today.

 

Map of the islands - Turk and Caher

Map of Inishturk and Caher Island 

 

 

 

Unfortunately, we were unable to land on the island as there was quite a big swell even though the day was warm and calm. This was what we saw as we approached – the water was deceptively still, almost black and oily in appearance but it rose up suddenly in bursts which crashed heavily on the rocks at the shoreline.

 

Caher island just offshore

 

 

 

We turned around then and made our way back to Inishturk, stopping first to marvel at the base of these cliffs – a rupture of black basalt and granite. The light was incredible – it sparkled off the water and diffused as it rose, trapped in the black curve of rock which rises sharply from the water. I wish my photography skills were a bit better – this is my best picture.

 

Cliffs at Inishturk from the sea

 

 

 

We travelled over to the pretty harbour of Portdoon next ( cover photo ) where we disembarked and started our hike. The island is 5km long by 2.5km wide and we covered a good deal of it in the five or six hours we spent there. The landscape is an eye popping mix of undulating hills and valleys with ancient walls and field systems and dramatic cliff top walks. There’s a spectacular view of the Twelve Bens mountain range in this next one.

 

turk 1

 

 

 

The diamond shaped hill in the centre distance ( below ) is Croagh Patrick, an important pilgrimage mountain in county Mayo.

 

The landscape at Inishturk

 

 

Me in hiking mode below.

 

Photo of me in hiking mode

 

 

 

These sea stacks are known in Irish as ‘Buachaill mor’ and ‘Buachail beag’ ( Big boy and small boy ). The cliff views were spectacular and a little scary.

 

Inishturk cliffs viewed from the island

 

 

 

This next one is known locally as the sphynx – an incredible natural sculpture.

 

sea stacks at Inishturk

 

 

 

As we completed the loop back to Portdoon, we began to hear the sound of the sheep and their new lambs which dotted this part of the island – they were very willing to pose for photos..

 

Sheep on Inishturk

 

 

 

Lamb at Inishturk

 

 

 

Lastly, I stopped to take a picture of the post office which also operates as a Bed and Breakfast.

Every single islander we met along the way greeted us warmly and stopped for a chat. I was struck by the thought of living among such a small close community – just forty inhabitants today. This island is less known and travelled compared to it’s neighbours Inishbofin and Clare Island which attract large numbers of tourists in the Summer, but it is no less beautiful. I hope to make a return visit before the end of the Summer.

 

Inishturk post office