I have been working on two small seascapes over the last number of days. The surface is a heavyweight paper, prepared with gesso and mounted on canvas board. They each measure 15.5 cm x 10.5 cm. There is something satisfying about working on paper, its texture is fine and chalky compared to canvas and the surface holds the colour very well.
I approached these two paintings differently in that I finished them in one sitting, alternating between the two. I worked with the material in a more deliberate way, playing with the fluidity of the paint – sometimes thick, sometimes very thin. I allowed the inks to react with the paint, moving the imagery around until I arrived at something close to the effect I was looking for. This method reminds me of working with clay – creating a vessel on the wheel and then distorting it, trying to capture the fluidity of the material while it is wet. In these paintings, I tried to capture the energy and movement of the sea but also it’s darkness and it’s danger. I’ve called the first ( pictured again below ) ‘Ink Dark Sea.’
The second painting is titled ‘ Steel Blue Swell.’ I’ve indicated a hint of land in the distance but I did not worry too much about a horizon line.
The use of red and a hint of gold breaks the dominance of the blue.