Miry Place

I’ve started a couple of paintings based on some photographs I took out near the coast at Aughrus recently. This is how the first one began.

 

First stage of 'Miry Place' painting by Deborah Watkins

 

 

 

I want the main part of the painting to have a golden glow (this is how the grasses appeared when I saw them) so I’ve used lots of gold paint in broad strokes across the page. I’ve sketched in the sky using a combination of blue and white paint and I’ve left a space for the bog pool in the centre of the piece. Here’s the next stage below.

 

Second stage of 'Miry Place' painting by Deborah Watkins

 

 

 

I’ve played with different consistencies of paint and ink and I’ve used brushes of different widths to vary the effects. I like the movement that a large sweeping brush stroke gives and I also enjoy the way watery paint pools around thicker clumps of colour. I’ve tried to keep all the colours as fresh as I can, not allowing them to muddy too much and washing my brushes often between applications. I want this dark bog pool to be the focus so I’ve used dark blue and brown inks for the central shape and surrounded it with light and metallic shades to describe  the grasses.

Here’s how the second painting started below.

 

First stage of second bog painting by Deborah Watkins

 

 

 

I’ve used blue, purple and white paint to sketch in the sky and clouds and I’ve outlined a broad shape in red to describe the russet coloured ferns I saw in the bog that day. Here’s the next stage.

 

Next stage of second bog painting

 

 

 

Oooo I like it here! Something about that red and green together – these colours appealed to me when I took the photographs in Aughrus. I love the way the blue ( a watery pool ) has bled in to the cream and pink paint. I’m sorry in a way not to have left it here as the colours are lovely and fresh and true to how they were. It does look very unfinished however and so I continued working on it as you can see below.

 

 

Last stage of Miry place painting by Deborah Watkins

 

 

I’ve gone in with lots of colour to the extent that I’ve had to stop at this point so that it doesn’t become too sludgy. I’ve tried to give the area on the left of the piece a vertical direction to suggest some tall grass shapes. The dark blue shape across the centre describes a wet pool and beneath that some green plants. I’ve more to do on both of these paintings but I’ll have to wait a day or two until the paint has dried completely.

 

 

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